Aesthetics of Digital Montage

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A01=Marc Furstenau
Author_Marc Furstenau
Category=ATF
Category=JBCT
Category=NH
cinema theory
computer-based editing
digital montage
digital postproduction
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film aesthetics
film editing
film history
film theory
moving image analysis
philosophical aesthetics
philosophy of film technology
technical change in film

Product details

  • ISBN 9781041187134
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology of the cinema as an art. Such claims, it is argued in this book, are based on a misunderstanding of the relation between technology and technique, and more generally between the technical and the aesthetic. Applying recent theories of art, and employing specific concepts from philosophical aesthetics, an account of cinematic art is offered that can better accommodate the kinds of technical changes that have occurred in recent decades, with the advent of computer technology in the cinema. An aesthetics of digital montage is presented as part of a more general proposal for a theory of technical change in the cinema.

Marc Furstenau is Professor of Film Studies at Carleton University, Ottawa. He published articles on a range of topics and is the editor of The Film Theory Reader: Debates and Arguments (Routledge, 2010), co-editor of Cinema and Technology: Cultures, Theories, Practices (Palgrave, 2008), and co-editor of Special Effects on the Screen: Faking the View from Méliès to Motion Capture (Amsterdam: Amsterdam University Press, 2022). He is past editor of the Canadian Journal of Film Studies.

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