Aesthetics of Resistance, Volume I

Spanning the period from the late 1930s to World War II, this historical novel dramatizes antifascist resistance and the rise and fall of proletarian political parties in Europe. Living in Berlin in 1937, the unnamed narrator and his peers-sixteen- and seventeen-year-old working-class students-seek ways to express their hatred for the Nazi regime. They meet in museums and galleries, and in their discussions they explore the affinity between political resistance and art, the connection at the heart of Weiss’s novel. Weiss suggests that meaning lies in embracing resistance, no matter how intense the oppression, and that we must look to art for new models of political action and social understanding. The novel includes extended meditations on paintings, sculpture, and literature. Moving from the Berlin underground to the front lines of the Spanish Civil War and on to other parts of Europe, the story teems with characters, almost all of whom are based on historical figures. The Aesthetics of Resistance is one of the truly great works of postwar German literature and an essential resource for understanding twentieth-century German history.

Peter Weiss (1916–1982) was a German playwright, novelist, filmmaker, and painter. His works include the plays The New Trial, also published by Duke University Press, and Marat/Sade and the novels The Shadow of the Body of the Coachman and The Conversation of the Three Walkers. He received West Germany’s most important literary award, the Georg BÜchner Prize, posthumously in 1982.

Joachim Neugroschel (1938-2011) was the translator of some two hundred books, including works by Franz Kafka, Marcel Proust, and Thomas Mann. He won three PEN translation awards and a French-American Foundation Translation Prize.