Aesthetics of Scientific Experiments

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Adrian Currie
Adrian Holme
Aesthetic Cultures
Aesthetic Dimension
aesthetic evaluation in scientific research
Aesthetic Judgements
Aesthetic Regard
aesthetic sensibility
aesthetics
Alexander Wragge-Morley
Alice Murphy
artificial intelligence experiments
Atlas Experiment
Beautiful Experiment
beautiful experiments
beauty
Category=AGA
Category=JHB
Category=PDA
Category=PDX
Category=QDTN
Claire Anscomb
Cm Experiment
cognitive value in art
Corpuscular Hypothesis
Double Slit Experiment
Dutilh Novaes
Epistemic Goods
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
experiment design
experimental methodology
experimental sublime
Fluency Processing Account
Fossil Preparation
Functional Beauty
Glenn Parsons
Higgs Boson
high energy experimental physics
history of experimentation
James Nguyen
Large Hadron Collider
Michael T. Stuart
Michelson Morley Experiment
Milena Ivanova
Null Results
philosophy of science
profundity
revelation
Robustness Analysis
Royal Society
scientific beauty
scientific experiments
Sophie Ritson
sublime
Sublime Experience
Unconceived Alternatives
Vice Versa
Violate
Wright's Painting

Product details

  • ISBN 9781032203881
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Jun 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The relationship between aesthetics and science has begun to generate substantial interest. However, for the most part, the focus has been on the beauty of theories, and other aspects of scientific practice have been neglected. This book offers a novel perspective on aesthetics in experimentation via ten original essays from an interdisciplinary group comprised of philosophers, historians of science and art, and artists.

The collection provides an analysis of the concept of beauty in the evaluation of experiments. What properties do practising experimenters value? How have the aesthetic properties of scientific experiments changed over the years? Secondly, the volume looks at the role that aesthetic factors, including negative values such as ugliness, as well as experiences of the sublime and the profound, play in the construction of an experiment and its reception. Thirdly, the chapters provide in-depth historical case studies from the Royal Society, which also allows for a study of the depiction of scientific experiment in artworks, as well as contemporary examples from the Large Hadron Collider and cases of experiments designed by artificial intelligence. Finally, it offers an exploration of the commonalities between how we learn from experiments on the one hand and the cognitive value of artworks on the other.

The Aesthetics of Scientific Experiments will be of interest to researchers and advanced students working in philosophy and history of science, philosophy and history of art, as well as practising scientists and science communicators.

Milena Ivanova is a Byefellow at Fitzwilliam College, University of Cambridge, specializing in the aesthetics of science. Her project investigates the aesthetic values of scientific experiments. She is the author of Duhem and Holism (Cambridge University Press) and co-editor of The Aesthetics of Science: Beauty, Imagination and Understanding (Routledge).

Alice Murphy s a postdoctoral researcher at Ludwig Maximilian University of Munich (LMU), Munich. Her research focuses on aesthetic values in science, the epistemic role of imagination, and scientific thought experiments and models.