Affect in Artistic Creativity

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A01=Jussi Saarinen
Aesthetic Resonance
Aesthetics
Affect
affective experience in painting
Affective Resources
Affective Scaffolding
Agentive Beings
Albert Oehlen
Art
artistic creativity
Author_Jussi Saarinen
Bodily Feelings
Body
Category=AB
Category=JMAF
Category=QDTN
Creative Apperception
creative process psychology
Creativity
Cyclic Oscillation
Developmental Niche
embodied cognition
Emotion
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Existential Feeling
Existential Orientation
Experiential Elements
Intentional Object
Low Level Vision
Milner's creative transformation
Mood
niche construction
Oceanic Experience
Oceanic Feelings
Oceanic State
Organism Environment Couplings
Painterly Creativity
Painters Paint
Painting
paintings metamorphosis
phenomenology of art
philosophy of emotion
Potential Space
Psychoanalysis
psychoanalytic theory
Responsive Medium
Selfobject Experience
Transitional Phenomena
Undifferentiated Perception
visual perception research

Product details

  • ISBN 9780367522490
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Jul 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Why do painters paint? Obviously, there are numerous possible reasons. They paint to create images for others’ enjoyment, to solve visual problems, to convey ideas, and to contribute to a rich artistic tradition. This book argues that there is yet another, crucially important but often overlooked reason.

Painters paint to feel.

They paint because it enables them to experience special feelings, such as being absorbed in creative play and connected to something vitally significant. Painting may even transform the painter’s whole sense of being. Thus, painting is not only about producing art, communicating content, and so on, but also about setting up and inhabiting an experiential space wherein highly valued feelings are interactively enabled and supported. This book investigates how and why this happens by combining psychoanalytical theorization on creativity with philosophical thinking on affectivity. It focuses on creative experience itself, and illuminates the psychological mechanisms and dynamics that underlie the affects at stake. Painters’ own descriptions of how they feel at work are used throughout to give an accurate, true-to-life portrayal of the experience of painting.

The strength of the book lies in its open-minded yet critical integration of contemporary psychoanalytic and philosophical thinking, and in its truthfulness to painters’ experiential descriptions of the painterly process. On the whole, it enriches our understanding of artistic creativity and sheds more light on how and why we come to feel the things we do. As such, the book will appeal to philosophers, psychoanalysts, and art researchers alike.

Jussi A. Saarinen, PhD, is a psychologist and postdoctoral researcher in philosophy at the University of Jyväskylä, Finland. His interests lie in psychoanalytical aesthetics and philosophy of emotion, and he has published on these topics in journals including The International Journal of Psychoanalysis, The Journal of Aesthetics and Art Criticism, and Phenomenology and the Cognitive Sciences.

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