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African Art Reframed

Bennetta Jules-Rosette | J.R. Osborn
€112.99
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A01=Bennetta Jules-Rosette
A01=J.R. Osborn
A23=Simon Njami
African art
Age Group_Uncategorized
Age Group_Uncategorized
archives
art worlds
artists
audience perception
Author_Bennetta Jules-Rosette
Author_J.R. Osborn
automatic-update
catalogues
Category1=Non-Fiction
Category=AB
Category=ACB
Category=AGA
Category=GLZ
Category=GM
Category=HBJH
Category=JHMC
Category=NHH
classification systems
collectors
colonial expositions and museums
community outreach
COP=United States
cultural brokers
cultural preservation
curating
curatorial narratives
curatorial networks
curiosity cabinet
Delivery_Delivery within 10-20 working days
dialogues
digital models
educational resources
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic observations
exhibitions
experiential learning
genre classifications
heritage
interviews
Language_English
modern and postmodern institutions
modernist museums
museum audiences
museum narratives
museum taxonomies
museum visits
museums
nodal model
outreach programs
PA=Available
postmodern museums
Price_€100 and above
PS=Active
remixing and unmixing
repatriation
representations
softlaunch
storerooms
virtual museums

Product details

  • ISBN 9780252043277
  • Weight: 966g
  • Dimensions: 156 x 235mm
  • Publication Date: 22 Jun 2020
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Description
Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa.

The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results.

Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art.
About Bennetta Jules-Rosette | J.R. Osborn
Bennetta Jules-Rosette is Distinguished Professor of Sociology and director of the African and African-American Studies Research Center at the University of California, San Diego. Her books include Josephine Baker in Art and Life: The Icon and Image, Black Paris: The African Writers' Landscape, and The Messages of Tourist Art. J.R. Osborn is an associate professor of communication, culture, and technology at Georgetown University. He is the author of Letters of Light: Arabic Script in Calligraphy, Print, and Digital Design.

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