African Mansions on the Gold Coast

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A01=Courtnay Micots
Atlantic world cultural exchange
Author_Courtnay Micots
Category=AGA
Category=AMX
Category=JBSL
Category=JHM
Category=NHTQ
elite patronage studies
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
material culture in West Africa
postcolonial architectural history
residential hybridity analysis
resistance through domestic architecture
vernacular housing evolution

Product details

  • ISBN 9781032733098
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 06 Apr 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This will be the first book to focus on the African patrons who commissioned grand family mansions from the 1860s to 1950s, and to highlight their intentions during the tumultuous period in the Gold Coast Colony (part of present-day Ghana) from roughly 1874 to independence from the British on March 6, 1957.

Coastal Ghana today is dotted with grand old homes; most are uninhabited, in ruin and hauntingly eerie. Most people associate these homes with European patrons. But what if that weren't true? What if these structures were constructed for wealthy Africans? Case studies reveal what the author calls the “Coastal Elite Style,” an umbrella term for the multitude of innovative responses to European, Afro-Brazilian and American architecture. These hybrid mansions communicate ideas of status and modernity through their combination of local aesthetics with the manipulation of foreign architectural styles. This movement is significant because the layered meanings expressed resistance to the British and established a vernacular for housing in Ghana today. By decolonizing the study of colonial architecture by placing the gaze on African patrons, these mansions will be revealed as unique works of African Modernism.

This book will expand upon the existing literature regading indigenous colonial residential architecture. It will be of interest to researchers and students of architectural history, colonial studies, African studies and Atlantic studies.

Courtnay Micots is Associate Professor of Art History at Florida A & M University (Tallahassee, Florida, USA). She has worked in Ghana for nearly 20 years. She has conducted further research in the Republic of Benin, South Africa, Egypt, England, Cuba and Brazil. Her research encompasses a variety of resistance art forms, including carnival, architecture, sculpture and asafo flags. Her first book, supported with an NEH Award, Kakaamotobe: Fancy Dress Carnival in Ghana was published in 2021. She received a second NEH Award in 2023 for this book.

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