African Media in an Age of Extraction

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A01=Noah Tsika
Author_Noah Tsika
Category=ATF
Category=JBCT
environmental humanities Africa
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
extractive industries media
forthcoming
location shooting studies
natural resource representation
political economy film
resource geography cinema
screen media extractive economies analysis

Product details

  • ISBN 9781041175339
  • Dimensions: 156 x 234mm
  • Publication Date: 10 Jun 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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African Media in an Age of Extraction takes a fresh, site-specific look at the relationship between moving images and the mining of natural resources, arguing that where we “place” Nollywood and other industries has important practical and conceptual consequences. Such locations are not just spatial metaphors but also tangible geographies with material connections to extractive economies. Sites of film production are often spaces of oil prospecting, timber harvesting, and mineral extraction—natural environments continuously transformed by capital. African Media in an Age of Extraction links such absolute spaces—reclaimed lands, razed forests, petroleum zones, abandoned coal mines collecting moss, vast tin fields inspiring illegal dredging by populations locked out of the licit economy—to the abstract and lived dimensions of film villages, shooting locations, and exhibition centers. The geographies of African media industries are not fixed locations cleanly separated from surrounding areas or from the wider world (including Hollywood), nor are they fully detachable from the mineral and hydrocarbon resources that also define them. Considering multiple scales—the local, the national, the regional, the continental, the planetary—this book takes stock of the physical terrain and extractive objects that Nollywood shares with other industries and that structure screen media more broadly. Topographies, political economies, national identities, and natural resources are entwined in ways that cinema makes intelligible and that carry the potential to transform the way we see the medium itself.

Noah Tsika is Professor of Film and Media Studies at Queens College and the City University of New York Graduate Center. His books include Nollywood Stars: Media and Migration in West Africa and the Diaspora and Cinematic Independence: Constructing the Big Screen in Nigeria.

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