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African Musicians in the Atlantic World
African Musicians in the Atlantic World
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A01=Mary Caton Lingold
African mythology
ancestral memory
Angola
aural art
Author_Mary Caton Lingold
Bahamas
banjos
Black Studies
caricatures of Black music
Category=NHH
English Civil War
Enlightenment
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eq_history
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eq_isMigrated=2
eq_nobargain
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estate records
Ethnic Studies
festivals
Florida
flute
Hans Sloane
Hugh Tracey
instruments
interdisciplinary
Ireland
Islam
Italy
Jamaica
Jamaican Airs
missionizing
Multicultural Studies
music development
musicology
notation
paternalism
performance
Peru
pipes
plagiarism
plantation
planters
poisoning
prohibition
proselytizing
qua-qua
Spanish Town
spirituals
St. Vincent
steelpan
stilt-walking
suicide
Super Sunday
Suriname
xylophones
Product details
- ISBN 9780813949789
- Weight: 272g
- Dimensions: 152 x 229mm
- Publication Date: 03 Nov 2023
- Publisher: University of Virginia Press
- Publication City/Country: US
- Product Form: Paperback
Music, that fundamental form of human expression, is one of the most powerful cultural continuities fostered by enslaved Africans and their descendants throughout the Americas. The roots of so much of the music beloved around the world today are drawn directly from the men and women carried across the Atlantic in chains, from the west coast of Africa to the shores of the so-called New World. This important new book bridges African diaspora studies, music studies, and transatlantic and colonial American literature to trace the lineage of African and African diasporic musical life in the early modern period.
Mary Caton Lingold meticulously analyses surviving sources, especially European travelogues, to recover the lives of African performers, the sounds they created, and the meaning their musical creations held in Africa and later for enslaved communities in the Caribbean and throughout the plantation Americas. The book provides a rich history of early African sound and a revelatory analysis of the many ways that music shaped enslavement and colonisation in the Americas.
Mary Caton Lingold meticulously analyses surviving sources, especially European travelogues, to recover the lives of African performers, the sounds they created, and the meaning their musical creations held in Africa and later for enslaved communities in the Caribbean and throughout the plantation Americas. The book provides a rich history of early African sound and a revelatory analysis of the many ways that music shaped enslavement and colonisation in the Americas.
Mary Caton Lingold is Assistant Professor of English at Virginia Commonwealth University.
African Musicians in the Atlantic World
€27.50
