Africa’s Struggle for Its Art

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A01=Benedicte Savoy
Activism
Africa
African Americans
African archaeology
African art
African diaspora
African independence movements
African sculpture
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Age Group_Uncategorized
Algerian War
American imperialism
Anthropomorphism
Author_Benedicte Savoy
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B06=Susanne Meyer-Abich
Back-to-Africa movement
Benin art
Black people
Botswana
Burundi
Category1=Non-Fiction
Category=AGA
Category=HBJH
Category=HBTQ
Category=JHMC
Category=NHH
Category=NHTQ
Colonial war
Colonialism
COP=United States
Corruption
Country of origin
Criticism
Cultural heritage
Cultural identity
Cultural property
Cultural Property (Japan)
Culture war
Cynicism (philosophy)
Decolonization
Defamiliarization
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Duress
Environmental degradation
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_nobargain
eq_non-fiction
eq_society-politics
Ethnology
Expropriation
German East Africa
Human trafficking
Imprisonment
Inferiority complex
International law
Investigative journalism
Ivory Coast
Language_English
Looted art
Military occupation
Misinformation
Nigerian Civil War
Non-governmental organization
Oppression
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Pan-Africanism
Politics of Nigeria
Prejudice
Price_€20 to €50
PS=Active
Publication
Racism
Resentment
Restitution
Ridicule
Royal Museum for Central Africa
Scarcity
Self-criticism
Slavery
softlaunch
Tanzania
Third World
Trench warfare
UNESCO
War
Warfare
West Berlin
West Germany
Work of art
Year of Africa
Zaire
ZDF

Product details

  • ISBN 9780691264912
  • Dimensions: 156 x 235mm
  • Publication Date: 24 Sep 2024
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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A major new history of how African nations, starting in the 1960s, sought to reclaim the art looted by Western colonial powers

For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa’s Struggle for Its Art, Bénédicte Savoy brings to light this largely unknown but deeply important history. One of the world’s foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.

Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire’s president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country's collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.

Making the case for why restitution is essential to any future relationship between African countries and the West, Africa’s Struggle for Its Art will shape conversations around these crucial issues for years to come.

Bénédicte Savoy is professor in the Department of Art History at the Technical University of Berlin and was professor at the Collège de France in Paris from 2016 to 2021. She is the coeditor of Translocations: Histories of Dislocated Cultural Assets; Acquiring Cultures: Histories of World Art on Western Markets; and The Museum Is Open: Towards a Transnational History of Museums. She is the author (with Felwine Sarr) of The Restitution of African Cultural Heritage: Toward a New Relational Ethics, known as the Sarr-Savoy Report. She lives in Berlin.