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After 1851
After 1851
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€102.99
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B01=Kate Nichols
B01=Sarah Victoria Turner
Category1=Non-Fiction
Category=ACV
Category=AGA
Category=HBTB
Category=JBCC2
Category=JFCD
Category=NHTB
Category=PDX
Class
COP=United Kingdom
Crystal Palace
Delivery_Delivery within 10-20 working days
Education
Empire
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eq_non-fiction
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Language_English
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Material culture
Nation
PA=Available
Price_€50 to €100
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softlaunch
Sydenham
Visual culture
Product details
- ISBN 9780719096495
- Weight: 572g
- Dimensions: 170 x 240mm
- Publication Date: 23 Jan 2017
- Publisher: Manchester University Press
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Echoing Joseph Paxton's question at the close of the Great Exhibition, 'What is to become of the Crystal Palace?', this interdisciplinary essay collection argues that there is considerable potential in studying this unique architectural and art-historical document after 1851, when it was rebuilt in the South London suburb of Sydenham. It brings together research on objects, materials and subjects as diverse as those represented under the glass roof of the Sydenham Palace itself; from the Venus de Milo to Sheffield steel, souvenir 'peep eggs' to war memorials, portrait busts to imperial pageants, tropical plants to cartoons made by artists on the spot, copies of paintings from ancient caves in India to 1950s film. Essays do not simply catalogue and collect this eclectic congregation, but provide new ways for assessing the significance of the Sydenham Crystal Palace for both nineteenth- and twentieth-century studies. The volume will be of particular interest to researchers and students of British cultural history, museum studies, and art history.
Kate Nichols is Birmingham Fellow in the Department of Art History, Curating and Visual Studies at the University of Birmingham
Sarah Victoria Turner is Deputy Director for Research at the Paul Mellon Centre for Studies in British Art
After 1851
€102.99
