After Francis Bacon

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A01=Nicholas Chare
American Psychiatric Association
Art Historical Writing
Artist's Model
Artist’s Model
Author_Nicholas Chare
Bacon Studies
Bacon's Art
Bacon's Oeuvre
Bacon's Paintings
Bacon's Studio
Bacon's Words
Bacon's Works
bacons
Bacon’s Art
Bacon’s Oeuvre
Bacon’s Paintings
Bacon’s Studio
Bacon’s Words
Bacon’s Works
Castration Paradigm
Category=AGA
contemporary art psychoanalysis research
creative writing in art history
Des Moines Art Center
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethical art interpretation
False Confessions
Fine Bristles
forensic psychology in art
Gogh
Head VI
Hugh Lane
Lesbian Herstory Archives
Long Trail
multisensory perception studies
Museo Thyssen Bornemisza
paintings
psychoanalytic art theory
Roy De Maistre
sadomasochism in painting
Tate Archive
Vincent Van Gogh
Voluntary False Confession
Watermelon Woman
works

Product details

  • ISBN 9781409411703
  • Weight: 612g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Jul 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Like an analyst listening to a patient, this study attends not just to what is said in David Sylvester's interviews with Francis Bacon, but also crucially to what is left unspoken, to revealing interruptions and caesuras. Through interpreting these silences, After Francis Bacon breaks with stereotypical ideas about the artist's work and provides new readings and avenues of research. After Francis Bacon is the first book to give extended consideration to the way the reception of Bacon's art, including Gilles Deleuze's influential text on the artist, has been shaped by the Sylvester interviews - and to move beyond the limiting effects of the interviews, providing fresh interpretations. Nicholas Chare draws upon recent developments in psychoanalysis and forensic psychology to present innovative readings of Bacon's work, primarily based on the themes of sadomasochism and multi-sensory perception. Through bringing Bacon's paintings into dialogue with Joseph Conrad's Heart of Darkness and the film Alien, he also provides original insights into the ethical relevance the artist's works have for today. This study addresses the complexities of the artist's practice - particularly in relation to sexuality and synaesthesia - and additionally forms a crucial intervention within current debates about creative writing in art history.

Nicholas Chare is Associate Professor of Modern Art in the Department of History of Art and Film Studies at the Université de Montréal, Canada. His recent publications include Matters of Testimony (co-authored with Dominic Williams, 2016) and a special issue of parallax on the theme of Trans-: Across/Beyond (co-edited with Ika Willis, 2016).

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