A01=David Wyatt
Ariel
Author_David Wyatt
case studies of editions
Category=DSBH
editorial controversies
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Flags in the Dust
Great Expectations
Juneteenth
King Lear
literary estates
manuscript
materialist
Moveable Feast
posthumous books
Prelude
Rabbit Catcher
scholarly editing
Product details
- ISBN 9780807183946
- Dimensions: 152 x 229mm
- Publication Date: 22 May 2025
- Publisher: Louisiana State University Press
- Publication City/Country: US
- Product Form: Hardback
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Afterlife: The Strange Fate of Literary Remains explores what happens to a body of work left unpublished or unfinished at the time of a writer's death. In nine chapters, David Wyatt tells the story of the "afterlife" of texts by Shakespeare, William Wordsworth, Charles Dickens, Harriet Jacobs, Emily Dickinson, William Faulkner, Sylvia Plath, Ernest Hemingway, and Ralph Ellison—and of the improbable and unpredictable ways in which literature that might never have seen publication managed to end up on the printed page.
Posthumously edited texts raise important issues about the meaning and shape of a literary career. How is one to assess the arc of Ellison's achievement when, after his endlessly reworked second novel finally made it into print in 1999, it was then superseded, in 2010, by another version? Meanwhile, the publication of four Hemingway books after the author's death undid any notion that the writer suffered some sort of decline late in life, and the gender-bending experiments in The Garden of Eden cast a revisionary light back on what had become a deeply reductive belief in the Hemingway Code. While judgments about these writings may begin as technical matters, Wyatt shows that they eventually become aesthetic and, finally, ethical considerations. Despite the difficulties involved, such evaluations continue to be made and to produce the editions that teachers and readers are required to choose among.
Throughout Afterlife, Wyatt stresses the attentiveness needed in the editing of posthumous texts: being mindful to honor an author's literary remains by providing an answerable reading of them, while also caring enough about the work left behind to take a position on the printed form it might best take or, if such a conclusion feels impossible, to give a responsible account of why it is out of reach.
Posthumously edited texts raise important issues about the meaning and shape of a literary career. How is one to assess the arc of Ellison's achievement when, after his endlessly reworked second novel finally made it into print in 1999, it was then superseded, in 2010, by another version? Meanwhile, the publication of four Hemingway books after the author's death undid any notion that the writer suffered some sort of decline late in life, and the gender-bending experiments in The Garden of Eden cast a revisionary light back on what had become a deeply reductive belief in the Hemingway Code. While judgments about these writings may begin as technical matters, Wyatt shows that they eventually become aesthetic and, finally, ethical considerations. Despite the difficulties involved, such evaluations continue to be made and to produce the editions that teachers and readers are required to choose among.
Throughout Afterlife, Wyatt stresses the attentiveness needed in the editing of posthumous texts: being mindful to honor an author's literary remains by providing an answerable reading of them, while also caring enough about the work left behind to take a position on the printed form it might best take or, if such a conclusion feels impossible, to give a responsible account of why it is out of reach.
David Wyatt is professor emeritus of English at the University of Maryland, where he was a Distinguished Scholar-Teacher. His previous books include Five Fires: Race, Catastrophe, and the Shaping of California and Hemingway, Style, and the Art of Emotion. He lives in Charlottesville, Virginia.
