Against Falling

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A01=Linda Anderson
Author_Linda Anderson
Category=DCF
contemporary
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_poetry
poetry
women

Product details

  • ISBN 9781805966135
  • Dimensions: 118 x 189mm
  • Publication Date: 28 Apr 2026
  • Publisher: Liverpool University Press
  • Publication City/Country: GB
  • Product Form: Paperback
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At the heart of Linda Anderson’s second collection is an exploration of time and of ageing. Time is pressing, urgent, in relation to both the individual and the planet. However, underneath, there is also something unfinished, whether that be in relation to memory’s ability to revise the past and take on different shapes and meanings, or in relation to writing itself which has a materiality which links it to the body of the writer. The collection contains an interrogation of the poet’s notebooks where chance and randomness have an important part to play, forging surprising links, and directing attention to the surrounding bloom of uncertainty, the ‘diaphanous, unwritten poem’ that lurks behind any finished poem. The fragility of the body also undermines certainty, and while much of the collection draws on visual imagery, derived particularly from the natural world, the loss of sight is folded into acts of careful observation, making seeing itself both more problematic and more precious.

This collection ranges restlessly across forms and voices connecting the poems to artists, writers, and musicians such as Stanley Spencer, Frédérick Chopin and Elizabeth Bishop. Yet words also repeat across different poems, like musical motifs, forming a fragile net for the collection. There are moments too when silence takes over and we are asked to wait, to discover a different meaning in hesitancy.

Linda Anderson is Emeritus Professor of English at Newcastle University where she founded the Newcastle Centre for the Literary Arts (2009) and the annual Newcastle Poetry Festival. She has written extensively about autobiography and feminist theory but more recently has published widely on Elizabeth Bishop, including the monograph, Elizabeth Bishop: Lines of Connection (Edinburgh University Press 2013), and has co-edited a collection of essays on poetry archives, The Contemporary Poetry Archive: Essays and Interventions (Edinburgh University Press, 2019), Originally from Scotland, she was an editor of Writing Women for many years, has worked to establish innovative poetry archives at Newcastle University, including the Bloodaxe Archive (http://bloodaxe.ncl.ac.uk) and has published a poetry pamphlet, Greenhouse, with Mariscat Press, 2013. She is currently Chair of Bloodaxe Books. Her first poetry collection, The Station Before (2020) was shortlisted for the Seamus Heaney first collection prize.

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