AI Aesthetics

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Aesthetic Protocols
aesthetics
affect
Affective Realism
AI generated videos
AI-generated art
AI-generated images
anthropomorphisation
anthropomorphization
art institutions
Category=AB
Category=AGA
Category=JBCC
Category=JBCT
Category=QDTN
Category=UG
Category=UYQ
characters
critical AI studies
cultural imaginaries
digital culture
digital humanities
embodied perception in generative media
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fictional thinking
futurity
Generative AI aesthetics
hypermediacy
imagination
interdisciplinary research
media theory
photography
platform capitalism
postdigital aesthetics
realism
remediation
Tech Demonstrations
tech demos
tech failures
the Character Effect
The Eliza Effect
visual culture

Product details

  • ISBN 9781041148456
  • Weight: 410g
  • Dimensions: 138 x 216mm
  • Publication Date: 09 Sep 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume investigates the intersection of generative AI and media aesthetics from an interdisciplinary perspective. Combining in-depth theoretical reflection with a diverse selection of case studies, its authors explore the aesthetic forms of AI-generated medial objects as well as the cultural imaginaries that the latter draw upon.

Bringing together a group of scholars from various geographic and disciplinary backgrounds, the chapters move within and across different conceptualizations of “AI aesthetics” that can be located in-between an “aesthetics-as-artistics” (that is primarily concerned with aesthetic judgments related to skill and connoisseurship) and an “aesthetics-as-aisthetics” (that identifies all kinds of embodied perception as its object). The book thus reflects on both the theoretical and the methodological implications of “AI aesthetics,” while also demonstrating that this is still very much an emerging research field and that no dominant conceptualization of “AI aesthetics” has yet emerged.

Considering its decidedly international and interdisciplinary scope, AI Aesthetics: AI-Generated Images between Artistics and Aisthetics will appeal to scholars and students within media studies, cultural studies, literary studies, philosophy, art history, visual culture studies, digital humanities, and critical AI studies.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

Jan-Noël Thon is Professor and Chair of Media Studies and Media Education at Osnabrück University, Germany.

Lukas R.A. Wilde is Professor of Media Studies at the Norwegian University of Science and Technology (NTNU) in Trondheim, Norway.