AI and the Future of Creative Work

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AI
Ai System
Algorithmic Turn
algorithms
Artisan Entrepreneurs
Audiovisual Industries
Category=UBJ
Category=UMB
computational creativity
Connective Function
Content Spending
Counter-hegemonic Identity
creative automation
cultural production algorithms
cybernetic collaboration
data
Data Visualization Graph
digital labour studies
Digital Music
Dl Technique
employment
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Frieder Nake
Good Colleague
GPT Series
human computer creative partnerships
Human Machine Collaboration
Human Robot Interaction
Industrial Appropriation
machine learning arts
Ml Technology
Model's Latent Space
Model’s Latent Space
Music Industries
Pay Tv
Pay Tv Service
Recommendation Algorithms
society
Streaming Services
Superintelligent Ai
SVOD Service
technology
unemployment
work

Product details

  • ISBN 9781032290638
  • Weight: 580g
  • Dimensions: 138 x 216mm
  • Publication Date: 26 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book focuses on the intelligent technologies that are transforming creative practices and industries.

The future of creative work will be more complicated than “the robots will take our jobs.” The workplace is becoming increasingly hybridized, with human and computational labor complementing each other. Some economic roles for the former will no doubt fade over time, while new roles are created to produce artificial intelligence (AI)-related technologies and implementations for productivity. New tools for the generation and personalization of content across platforms will be as ubiquitous as the automation of repetitive tasks in content creation workflows. Cultural conceptions of what it means to be a creative worker will necessarily change as a result of these transformations in human-machine labor. The volume covers the possibilities of humans and robots developing collegial relationships, creative cybernetics as machines and artists become co-creators of art, the reconcentration of corporate power as AI transforms the music industry, the rhetoric of algorithm-driven cultural production in streaming media and how artisans provide a model of counter-hegemony to automation processes.

Scholars and students from many backgrounds, as well as policy makers, journalists and the general reading public, will find a multidisciplinary approach to questions posed by creative labor and industry research from communication, philosophy, robotics, media, music and the creative arts, informatics, information science, and computer science and engineering.

Michael Filimowicz is Senior Lecturer in the School of Interactive Arts and Technology (SIAT) at Simon Fraser University. He has a background in computer-mediated communications, audiovisual production, new media art and creative writing. His research develops new multimodal display technologies and forms, exploring novel form factors across different application contexts including gaming, immersive exhibitions and simulations.