Alain Robbe-Grillet

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A01=John Fletcher
Alain Resnais
Alain Robbe Grillet
Artistic Avant Gardism
Author_John Fletcher
Barchester Chronicles
bizarre sexual stereotypes
Briar Patch
Category=DSBH
Category=DSK
contemporary writers
Dressmaker's Dummies
Dressmaker’s Dummies
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
experimental narrative structure
experimentalist
Fisherman's Cottage
Fisherman’s Cottage
French literature
Guilty Fascination
Jealousy
Jean Ricardou
Jean Robin
Kafka's World
Kafka’s World
La Jalousie
labyrinthine period
Large Black Dog
Last Year at Marienbad
Le Magicien
literary modernism
literature
love and loss
Madeleine Chapsal
narrative theory
nouveau roman
novel
paradox
Paul Delvaux
Phantom City
psychological symbolism
Robbe Grillet's Work
Robbe Grillet’s Work
Robbe-Grillet's novels
Secret Room
sexual representation
sexual stereotype
subversive fiction analysis
Superb
Table Napkin
The Voyeur
Tolerant Man
Tony Duvert
Tragic Humanism
Young Man

Product details

  • ISBN 9780367336592
  • Weight: 127g
  • Dimensions: 129 x 198mm
  • Publication Date: 01 Oct 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet’s script) and the high critical esteem in which novels like Jealousy and The Voyeur are held.

In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet’s work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss.

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