Albert Brooks

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American
Category=ATFB
Category=ATFX
Category=DNBF
cinema
comedy
Defending Your Life
directing
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film
Hollywood
humor
Jewish
Lost in America
Modern Romance
movies
performance
Real Life
reflexivity
satire
Saturday Night Live
screenwriting
stand-up
television

Product details

  • ISBN 9781496849984
  • Weight: 272g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Mar 2024
  • Publisher: University Press of Mississippi
  • Publication City/Country: US
  • Product Form: Paperback
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Albert Brooks: Interviews brings together fourteen profiles of and conversations with Brooks (b. 1947), in which he contemplates, expounds upon, and hilariously jokes about the connections between his show business upbringing, an ambivalence about the film industry, the nature of fame and success, and the meaning and purpose of comedy. Throughout all these encounters, Brooks expresses an unwavering commitment to his own artistic expression as a filmmaker and a rejection of mainstream conventions. With his questioning and critical disposition, nothing seems certain for Albert Brooks except for the integrity of art and the necessity for a wry skepticism about the incongruities of everyday life in corporate America.

Brooks is neither a Hollywood insider nor an outsider. He’s somewhere in-between. Since the early 1970s, this inimitable actor-writer-director has incisively satirized the mass media system from within. After initial work as an inventive comedian, both live and on network television, Brooks contributed six shorts to the first season of Saturday Night Live, which earned him a cult following for their avant-garde form and sensibility. These were followed by his feature debut, Real Life, the first of only seven films—including Modern Romance, Lost in America, and Defending Your Life—that Brooks has directed to date. His limited output reflects not only the difficulty in financing idiosyncratic films, but equally the exacting seriousness which Brooks has in making audiences laugh and think at the same time.
Alexander Greenhough teaches in the Program in Writing and Rhetoric at Stanford University. His work has appeared in such publications as Mediascape, Film Criticism, and Quarterly Review of Film and Video.