Alcaic Metre in the English Imagination

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A01=John Talbot
alcaic
Alfred Tennyson
Author_John Talbot
Category=DBSG
Category=DC
Category=DSM
Edward Fitzgerald
English poetry
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Greek lyric form
Horace
John Milton
language
literature
Mary Sidney Herbert
poetry
Robert Bridges
Sapphic stanza
Sappho
verse
W. H. Auden
Wilfred Owen
William Blake

Product details

  • ISBN 9781350232495
  • Weight: 520g
  • Dimensions: 236 x 160mm
  • Publication Date: 14 Jul 2022
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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This book reveals how a remarkable ancient Greek and Latin poetic form -- the alcaic metre -- found its way into English poetry, and continues shaping the imagination of poets today. English poets have always admired the extraordinary beauty and intricacy of the alcaic stanza (Tennyson called it ‘the grandest of all measures’) and their inventive responses to the ancient alcaic have generated remarkable innovations in the rhythms, sounds and shapes of modern poetry. This is the first book-length study of this neglected strand of English literary history and classical reception.

Attending closely to the rhythm and texture of their verses, John Talbot reveals surprising connections between English poets across five centuries, among them Mary Shelley, Milton, Marvell, Tennyson, Edward FitzGerald, Wilfred Owen, W. H. Auden and Donald Hall. He gives special attention to a flourishing of English alcaics during the late twentieth and twenty-first centuries, and what it suggests about the changing place of classics and poetic form in contemporary culture.

John Talbot is Associate Professor of English Literature at Brigham Young University, USA. He publishes widely on classical and English literary relations, poetic form and literary translation. He is the author of The Well-Tempered Tantrum (2004), Rough Translation (2012) and contributed to the multi-volume Oxford History of Classical Reception in English Literature. With Victoria Moul, he is co-editor of C. H. Sisson Reconsidered.

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