All that Hollywood Allows

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1950s American society
A01=Jackie Byars
American Cultural Studies
American Cultural Studies Scholars
American Feminist Film
Author_Jackie Byars
British Cultural Studies
British Cultural Studies Scholars
Category=ATFA
Category=GTM
Category=JBCC
Category=JBCC1
Category=JBCT
Category=JBSF1
Category=JBSF11
Category=NH
Classic Realist Text
criticism
Cultural Studies Scholars
domestic ideology critique
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ethnographic Audience Research
Family Melodrama
Female Spectator
feminist
Feminist Film
Feminist Film Critics
Feminist Film Studies
Feminist Film Theory
film
Film Melodramas
Film Texts
Gangster Film
gender representation cinema
melodramas
olivia
Olivia De Havilland
Peyton Place
postwar Hollywood gender roles analysis
problem
psychoanalytic film analysis
race class intersectionality
Ritual Model
social
Social Problem Films
sociological film theory
Stella Dallas
Streetcar Named Desire
studies
theory
Velvet Light Trap
woman's
Women's Films
Women’s Films

Product details

  • ISBN 9780415071178
  • Weight: 620g
  • Dimensions: 156 x 234mm
  • Publication Date: 05 Sep 1991
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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All that Hollywood Allows explores the representation of gender in popular Hollywood melodramas of the 1950s. Both a work of feminist film criticism and theory and an analysis of popular culture, this provocative book examines from a cultural studies perspective top-grossing film melodramas, such as A Streetcar Named Desire, From Here to Eternity, East of Eden, Imitation of Life and Picnic.
Stereotypically viewed as a complacent and idyllic time, the 1950s were actually a time of dislocation and great social change. Jackie Byars argues that mass media texts of the period, especially films, provide evidence of society's consuming preoccupation with the domestic sphere - the nuclear family and its values - and she shows how Hollywood melodramas interpreted and extended societal debates concerning family structure, sexual divisions of labour, and gender roles. Her readings of these films assess a variety of critical methodologies and approaches to textual analysis, some central to feminist film studies and some previously bypassed by scholars in the field.

Jackie Byars received her Ph.D. from the University of Texas at Austin and has taught radio, television, and film at the University of Wisconsin-Madison, Bryn Mawr College, and Texas Christion University.

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