All the Rage

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Aesthetics
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Category=DSB
Category=FBA
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eq_biography-true-stories
eq_fiction
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Product details

  • ISBN 9781636679945
  • Weight: 461g
  • Dimensions: 152 x 229mm
  • Publication Date: 03 Apr 2026
  • Publisher: Peter Lang Publishing Inc
  • Publication City/Country: US
  • Product Form: Hardback
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All the Rage introduces Jelinek’s work and its critical relevance for understanding contemporary western society while gaining insight into the vibrancy of her aesthetics. Jelinek’s experimental reconceptualization of theater and literature and her critical interventions into public discourses that support, promote and endure social injustices are central to this volume. Themes of right-wing populism and neoliberalism, war, gender inequalities, racism, migration, the politics of memory, and the erasure of troubling historical pasts command her work. The volume brings together scholars, translators, and international artists who explore topics ranging from directorial considerations, postdramatic, intertextual and intermedial practices, the experience of performing, teaching and translating Jelinek’s work. Thematically relevant today, Austrian writer Elfriede Jelinek, recipient of the 2004 Nobel Prize for Literature, reveals the possibilities of literature and the stage to expose power, violence, and structural harm.

Barbara Kosta, PhD from UC, Berkeley, is Professor of German Studies at the University of Arizona. Her research focuses on gender and ethnicity in twentieth and twenty-first century German-speaking literature, film and visual culture with publications on autobiographical writing, the 1920s modern woman, and women writers. Kosta is the recipient of Fulbright and DAAD awards.

Margarete Lamb-Faffelberger is Professor emerita of German, founder of the Max-Kade-Center at Lafayette College and member of the Jelinek-Forschungszentrum.  Publications include Elfriede Jelinek: Writing Woman, Nation, and Identity (2007), PASSAGES: Borders-Crossing-Openings. Conversations with Austrian Writers (2021), “Die Jelinek-Literatur und das angloamerikanische Publikum” (2024).