American Abroad

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1950s
A01=Anna Cooper
aesthetics
Americans
Author_Anna Cooper
Berlin
Category=ATFA
Cold War
colonial
devolution
empire
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
expansion
Metropoles
Nazism
Paris
postcolonial
Rome
textual study
travel
twentieth century

Product details

  • ISBN 9781501391729
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Oct 2023
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
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Drawing on cinema and media studies, art history, American studies, and postcolonial studies, this innovative book offers a fresh way of thinking about Hollywood film aesthetics. It explores how eighteenth- and nineteenth-century Western colonial formations of vision influenced classical Hollywood film style, and thus provides a new and unique perspective on the origins of the cinematic gaze. Classical Hollywood cinema constructs global spaces as an imaginative dreamworld,
subsuming geographical and cultural differences into utopian fantasy. Yet, this characteristically Hollywoodian aesthetic has rarely been explored in detail. How are such representations constructed within film texts? Is this utopian aesthetic really as uniform and transparent as it appears? What is its relationship to the United States’ status as an imperial power?

In The American Abroad, Anna Cooper explores how postwar Hollywood cinema adopted elements of British and French imperial visual culture, transforming them to suit a new United Statesian context. Cooper argues that four visual discourses in particular—the sublime, the ethnographic, the picturesque, and glamour—became building blocks in the development of a new American visual language.

Anna Cooper is Associate Professor in the School of Theatre, Film, and Television, University of Arizona, USA. She completed her PhD at the University of Warwick and has worked at the universities of Hertfordshire, Sussex, and California (Santa Cruz). She co-edited Projecting the World: Representing the “Foreign” in Classical Hollywood (2017).

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