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American and Chinese-Language Cinemas

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Asia
audience
Category=ATF
Category=JBCT
China
China Film Co-Production Corporation
Chinese Cinema
Chinese Fi
Chinese Fi Lmmakers
Chinese film aesthetics
Chinese Film Industry
Chinese Language Cinema
Chinese Language Theater
cross-cultural media exchange
Dark Matter
DeMille's Fi Lm
DeMille’s Fi Lm
distribution
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Examining Cultural Flows
Fi Lm Genre
film
Film Bureau
film production reception
global
global cinema networks
Hollywood
Hollywood influence analysis
Hong Kong
industry
Left Wing Cinema
Liu Xing
Lms
Long Shot
Martial Arts Fi
Metro News
Monterey
Monterey Park
national
production
reception
screen
Shanghai
Shaw Brothers
Sino-American cinematic interactions
Taiwan
transnational
Transnational Cinema
transnational film studies
Vice Versa
Yangtze River
Young Men

Product details

  • ISBN 9781138305854
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Description

Critics frequently describe the influence of "America," through Hollywood and other cultural industries, as a form of cultural imperialism. This unidirectional model of interaction does not address, however, the counter-flows of Chinese-language films into the American film market or the influence of Chinese filmmakers, film stars, and aesthetics in Hollywood.

The aim of this collection is to (re)consider the complex dynamics of transnational cultural flows between American and Chinese-language film industries. The goal is to bring a more historical perspective to the subject, focusing as much on the Hollywood influence on early Shanghai or postwar Hong Kong films as on the intensifying flows between American and Chinese-language cinemas in recent decades. Contributors emphasize the processes of appropriation and reception involved in transnational cultural practices, examining film production, distribution, and reception.

About
Lisa Funnell is a Lecturer in the Women’s and Gender Studies Program at the University of Oklahoma, USA. She is co-editor of Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange (Routledge, 2012). Man-Fung Yip is an Assistant Professor in the Film and Media Studies Program at the University of Oklahoma, USA.