American Art in Asia

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1980s
1990s
Abstract Expressionism
Abstract Expressionist Paintings
Ad Reinhardt
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Age Group_Uncategorized
Ai Weiwei
Alexander Calder
American Art
Archival Inkjet Print
art history
Asian American Art
Asian Art Histories
Asian Artists
Asian-American
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B01=Kyunghee Pyun
B01=Michelle Lim
Banco De La
Category1=Non-Fiction
Category=AB
Category=AC
Category=AGA
Category=GTB
Category=GTM
Central Asia
China
China East Asia
colonialism
Contemporary American Art
contemporary art
Contemporary Chinese Art
COP=United Kingdom
cross-cultural exhibition studies
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Dhaka
environment
environmental art discourse
eq_art-fashion-photography
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibitions
Frente Nacional
gender
global contemporary art
Global South
Greenberg
Howard Henry Chen
India
Japan
labor
Language_English
Lee Mingwei
migration and identity politics
Mongolian Culture
nationalism
Oil On Canvas
PA=Temporarily unavailable
Participatory Art Project
Pollock
postcolonial visual culture
Price_€100 and above
Princeton University Art Museum
PS=Active
Rare Earth
Rasheed Araeen
Singapore
softlaunch
Sunset House
transnational art history
transpacific art historical analysis
United States
Vazira Fazila Yacoobali Zamindar
Yayoi Kusama
Young Men

Product details

  • ISBN 9780367672133
  • Weight: 780g
  • Dimensions: 174 x 246mm
  • Publication Date: 06 May 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book challenges existing notions of what is "American" and/or "Asian" art, moving beyond the identity issues that have dominated art-world conversations of the 1980s and the 1990s and aligning with new trends and issues in contemporary art today, e.g. the Global South, labor, environment, and gender identity.

Contributors examine both historical and contemporary instances in art practices and exhibition-making under the rubric of "American art in Asia." The book complicates existing notions of what constitutes American art, Asian American (and American Asian) art. As today’s production and display of contemporary art takes place across diffused borders, under the fluid conditions of a globalized art world since transformed by the COVID-19 pandemic, new contexts and art historical narratives are forming that upend traditional Euro-American mappings of center-margins, migratory patterns and community engagement.

The book will be of interest to scholars working in art history, American studies, Asian studies and visual culture.

Michelle Lim is Assistant Professor at the College of Humanities, Arts and Social Sciences at Nanyang Technological University, Singapore.

Kyunghee Pyun is Associate Professor of History of Art at the State University of New York, Fashion Institute of Technology.