American Coastal Defenses 1885–1950

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19th nineteenth 20th twentieth century
A01=Bolling Smith
A01=Terrance McGovern
A12=Peter Bull
architectural features
Author_Bolling Smith
Author_Peter Bull
Author_Terrance McGovern
Baltimore
Boston
breech-loading rifle
Category=JWL
Category=NHK
Charlestown
concrete
conflict
construction
defence defense
eq_bestseller
eq_history
eq_isMigrated=1
eq_nobargain
eq_non-fiction
evolution
fort
fortification
illustrated
Key West
location
Los Angeles
military architecture
New York
Portland
San Francisco
Savannah
steel
United States

Product details

  • ISBN 9781841769226
  • Weight: 340g
  • Dimensions: 180 x 246mm
  • Publication Date: 01 Jun 2006
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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In the late-19th century, with the advances in technology and the increase in America's economic stature, a new round of fortification building began in the United States and its overseas territories.

Locations such as Portland, Boston, New York, Baltimore, Charlestown, Savannah, Key West, Los Angeles and San Francisco were all extensively fortified. This book provides a concise introduction to the design, development and purpose of American coastal defenses in the "modern" era (1885–1950), a period defined by the use of concrete, steel, and powerful breech-loading rifles.

It covers the emplacements, weaponry, equipment, and people that defended their country in times of great change and uncertainty.

Terrance McGovern has written several fortifications books and authored articles in international fortification journals. He has received degrees from Georgetown University and Tulane University. Terrance lives in McLean, Virginia.

Bolling Smith is a former captain in the US Army Reserve. A former chairman of the Coast Defense Study Group, he has edited the Coast Defense Journal for over a decade. He lives in Maryland, USA.

Peter Bull graduated from art college in 1979 and has worked as a freelance illustrator for over 25 years. He has created both traditional and digital art for publishers worldwide, and also runs the Peter Bull Art Studio, based in Kent, UK, which he founded in 1975. Peter Chesterton has worked closely with Peter Bull on the subject matter of this book.

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