American Documentary Filmmaking in the Digital Age

Regular price €63.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Lucia Ricciardelli
American Documentary Filmmaking
Animated Documentary
Ari Folman's Waltz
Author_Lucia Ricciardelli
Burns's Documentaries
Burns’s Documentaries
Category=AB
Category=ATFR
Category=DSBH5
Category=GTM
Category=JBCC
Category=JBCC1
Category=JBCT
Category=NHK
Category=NHW
Category=UGN
cinema
Clip
Contemporary Documentary Filmmaking
Direct Cinema Filmmakers
Direct Cinema Movement
Documentary Filmmaking
Elisha Hunt Rhodes
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_computing
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Errol Morris
Follow
historicism
history
identity
Inglourious Basterds
Ken Burns
media
Michael Moore
Moore's Documentary
Moore’s Documentary
Morris's Documentaries
Morris’s Documentaries
Non-fiction Filmmaking
Nonfiction Filmmakers
Persona
postcolonial
postmodern
Realist Documentary
Realist Documentary Tradition
U.S.
Upload
War Times
Web Docs
White Male Soldier
Young Men

Product details

  • ISBN 9781138548374
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration and with it forced historians to assess the impact of new visual technologies on the construction of history. This book investigates the manner in which this contemporary Western "crisis" in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directors’ films to focus her study and look at the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions. She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.

Lucia Ricciardelli is Assistant Professor in the School of Film and Photography at Montana State University, US.

More from this author