American Ethnographic Film and Personal Documentary

Regular price €42.99
A01=Scott MacDonald
american film
Author_Scott MacDonald
boston
cambridge
carpenter center
Category=ATF
cinema studies
documentary film
documentary filmmaking
documentary movies
ed pincus
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethnography
famous directors
film and television
film history
film study center
groundbreaking films
history
history of film
influential filmmakers
john marshall
michel negroponte
miriam weinstein
mit film section
nina davenport
performing arts
personal documentary
professional relationships
robb moss
robert gardner
timothy asch

Product details

  • ISBN 9780520275621
  • Weight: 590g
  • Dimensions: 152 x 229mm
  • Publication Date: 04 Jun 2013
  • Publisher: University of California Press
  • Publication City/Country: US
  • Product Form: Paperback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

"American Ethnographic Film and Personal Documentary" is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.
Scott MacDonald teaches film history at Hamilton College and Harvard University and in 2011 was named an Academy Scholar by the Academy of Motion Picture Arts and Sciences. He is the author of many books for UC Press, most recently Adventures in Perception: Cinema as Exploration (2009).