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American Pop Art in France

Liam Considine
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1960s
1968
32nd Venice Biennial
A01=Liam Considine
Age Group_Uncategorized
Age Group_Uncategorized
Algeria
Algerian War of Independence
American art
American pop art
Americanization
Atelier Populaire
Author_Liam Considine
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Be
Capital Punishment
Car Crash
Category1=Non-Fiction
Category=AB
Category=ABA
Category=ACX
Category=ACXJ
Category=AGA
Category=AKC
Category=HBJD
Category=HBLW3
Category=JP
Category=JPVL
Category=JPWC
Category=NHD
cinema
consumer culture
COP=United Kingdom
Delivery_Pre-order
Director's Oeuvre
Director’s Oeuvre
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Europe
Ferus Gallery
Figuration Narrative painting
France
French adaptation of American pop art
French Algerian War
French avant-garde movements
French painting
Galerie Sonnabend
global
graphic design
Harper's Bazaar
Harper’s Bazaar
Hollywood
Ileana Sonnabend
image politics analysis
Jean-Luc Godard
Jeune Peinture
Language_English
Maison De La Culture
mass media
Mass Media Imagery
May 1968 cultural history
Merce Cunningham Dance Company
modern art
Mu Mu
Necker Cube
Niki De Saint Phalle
Opaque Projector
PA=Temporarily unavailable
painting
Paris
Pierrot Le Fou
political dissent
politics
Pop Art
postmodern era
Price_€100 and above
protest art theory
protests
PS=Active
Rauschenberg's Work
Rauschenberg’s Work
Robert Delpire
Silkscreen Paintings
silkscreen poster workshops
Silkscreen Prints
Situationist International
softlaunch
technology
transnational art exchange
United States
visual culture studies
Young Men

Product details

  • ISBN 9780367140137
  • Weight: 540g
  • Dimensions: 174 x 246mm
  • Publication Date: 01 Nov 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Description

Pop art was essential to the Americanization of global art in the 1960s, yet it engendered resistance and adaptation abroad in equal measure, especially in Paris. From the end of the Algerian War of Independence and the opening of Ileana Sonnabend’s gallery for American Pop art in Paris in 1962, to the silkscreen poster workshops of May ’68, this book examines critical adaptations of Pop motifs and pictorial devices across French painting, graphic design, cinema and protest aesthetics. Liam Considine argues that the transatlantic dispersion of Pop art gave rise to a new politics of the image that challenged Americanization and prefigured the critiques and contradictions of May ’68.
About Liam Considine

Liam Considine is Lecturer in Art History at The New School and School of Visual Arts in New York.

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