American Smart Cinema

Regular price €112.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Claire Perkins
Author_Claire Perkins
Category=ATFN
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film
Media & Cultural Studies

Product details

  • ISBN 9780748640744
  • Dimensions: 156 x 234mm
  • Publication Date: 06 Jan 2012
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
American Smart Cinema examines a contemporary type of US filmmaking that exists at the intersection of mainstream, art and independent cinema and often gives rise to absurd, darkly comic and nihilistic effects.Connecting the 'smart' sensibility to issues of expressive irony, generational divide and therapeutic culture, this bold new book describes a recent critical tradition in commercial-independent American filmmaking by exploring the unstable tone and dysfunctional themes of such films as The Royal Tenenbaums, Adaptation, The Squid and the Whale, Palindromes, The Last Days of Disco, Flirt, Ghost World, Your Friends and Neighbors, Donnie Darko and The Savages. Acknowledging the loaded forms of expression employed by these films, American Smart Cinema provides new directions for their study by discussing the self-conscious approach taken to film historical discourses of authorship, narrative and genre. Examining the smart film's taste for 'blank' style and issues of middle-class identity, the book provides a comprehensive account of smart cinema as an aesthetic category while also considering the cultural and political factors that have guaranteed it critical and popular success.
Claire Perkins is Senior Lecturer in Film and Screen Studies at Monash University, Melbourne. She is the author of American Smart Cinema (Edinburgh University Press, 2012) and co-editor of U.S Independent Film After 1989: Possible Films (Edinburgh University Press, 2015), B Is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2012).

More from this author