Americans Experience Russia

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Aleksandr Fursenko
American interpretations of Russian society
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Cold War
Cold War narratives
CPUSA
cross-cultural perception
cultural exchange studies
Darryl Zanuck
Devious
East
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eq_business-finance-law
eq_history
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eq_isMigrated=2
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eq_society-politics
Federal Theatre Project
identity construction
Inside Stories
Journalism
Leningrad
Lev Kopelev
Maidenform Bra
Maksim Gorky
Memory
Moscow
Moscow Correspondents
Mukhina
Novgorod Province
Nuclear
Oriental
Oscar De La Renta
Plutonium Plant
Postcolonial
postcolonial theory
Russian Character
Russian Girls
Russian High Culture
Russians
Scarlet Empress
Soviet American relations
Soviet Union
Top Secret
U.S.
Vassar Students
Violate
West
Work Habits
Yasnaya Polyana
Young Man

Product details

  • ISBN 9780415893411
  • Weight: 610g
  • Dimensions: 152 x 229mm
  • Publication Date: 28 Nov 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Americans Experience Russia analyzes how American scholars, journalists, and artists envisioned, experienced, and interpreted Russia/the Soviet Union over the last century. While many histories of diplomatic, economic, and intellectual connections between the United States and the Soviet Union can be found, none has yet examined how Americans’ encounters with Russian/Soviet society shaped their representations of a Russian/Soviet ‘other’ and its relationship with an American ‘west.’

The essays in this volume critically engage with postcolonial theories which posit that a self-valorizing, unmediated west dictated the colonial encounter, repressing native voices that must be recovered. Unlike western imperialists and their colonial subjects, Americans and Russians long co-existed in a tense parity, regarding each other as other-than-European equals, sometime cultural role models, temporary allies, and political antagonists. In examining the fiction, film, journalism, treatises, and histories Americans produced out of their ‘Russian experience,’ the contributors to this volume closely analyze these texts, locate them in their sociopolitical context, and gauge how their producers’ profession, politics, gender, class, and interaction with native Russian interpreters conditioned their authored responses to Russian/Soviet reality. The volume also explores the blurred boundaries between national identities and representations of self/other after the Soviet Union’s fall.

Choi Chatterjee is Professor of History at California State University, Los Angeles. She is the author of Celebrating Women: Gender, Festival Culture and Bolshevik Ideology, 1910-1939 (2002), and co-author of the volume, The Twentieth Century: A Retrospective (2002). She is currently working on a history of American Communist women and their formative experiences in the Soviet Union. Beth Holmgren is Professor and Chair of Slavic and Eurasian Studies at Duke University. She has recently published a cultural biography of the great nineteenth-century Polish/American actress, Starring Madame Modjeska: On Tour in Poland and America (2012). She is currently working on a history of the interwar literary cabaret in Poland.