Amy Sillman

Regular price €62.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
20-50
A01=Valerie Smith
Age Group_Uncategorized
Age Group_Uncategorized
American artists
art
Author_Valerie Smith
automatic-update
Category1=Non-Fiction
Category=ACXJ
Category=AGA
Category=AGB
contemporary artists
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
installation
Language_English
PA=Available
painting
Price_€50 to €100
PS=Active
SN=Contemporary Painters Series
softlaunch

Product details

  • ISBN 9781848222977
  • Dimensions: 240 x 280mm
  • Publication Date: 10 Apr 2019
  • Publisher: Lund Humphries Publishers Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

A prolifically creative artistic polymath, American artist Amy Sillman (b.1955) works in drawing, zines, iPhone videos, installation, collaboration, teaching and curating, but painting has remained always at the very heart of her practice. This comprehensive monograph covers two decades of production, from the late-1990s to the present.

Valerie Smith’s text reveals Sillman’s uniquely time-based approach to painting, influenced and inflected as much by filmmakers and musicians and the processes of her other chosen disciplines as by strictly art-historical forebears. Sillman’s works perform an intensive cognitive and gestural interrogation of her chosen materials: discovering, undoing and reforming trains of painterly thought, often over long periods of time and across large numbers of linked works.

 Sillman’s painting emerges as a radically expressive force; a pointedly self-reflexive practice that reformulates contemporary painting as an ever-evolving continuum and never simply a finished work.        

Valerie Smith is an award-winning curator, who has worked extensively in New York and Europe. She also writes art criticism and teaches at Barnard College, New York.

More from this author