Analysis of Frantz Fanon's Black Skin, White Masks

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A01=Rachele Dini
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algerian
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Black Colonials
Black Skin
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colonial
Colonial Racism
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Dehumanizing Effects
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Diaspora
Diaspora Studies
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fanon
Fanon's Arguments
Fanon's Black Skin
Fanon's Death
Fanon's Ideas
Fanon's Text
Fanon's Work
Fanon's Writing
fanons
Fanon’s Arguments
Fanon’s Black Skin
Fanon’s Death
Fanon’s Ideas
Fanon’s Text
Fanon’s Work
Fanon’s Writing
frantz
Frantz Fanon
Frantz Fanon's Black Skin
Frantz Fanon’s Black Skin
French Psychoanalyst Jacques Lacan
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Harlem Renaissance
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Human Rights Studies
ideas
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Language_English
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Philosopher Jean Paul Sartre
Postwar
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racism
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White Masks
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Product details

  • ISBN 9781912127528
  • Weight: 138g
  • Dimensions: 129 x 198mm
  • Publication Date: 05 Jul 2017
  • Publisher: Macat International Limited
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Frantz Fanon’s explosive Black Skin, White Masks is a merciless exposé of the psychological damage done by colonial rule across the world. Using Fanon’s incisive analytical abilities to expose the consequences of colonialism on the psyches of colonized peoples, it is both a crucial text in post-colonial theory, and a lesson in the power of analytical skills to reveal the realities that hide beneath the surface of things.

Fanon was himself part of a colonized nation – Martinique – and grew up with the values and beliefs of French culture imposed upon him, while remaining relegated to an inferior status in society. Qualifying as a psychiatrist in France before working in Algeria (a French colony subject to brutal repression), his own experiences granted him a sharp insight into the psychological problems associated with colonial rule.

Like any good analytical thinker, Fanon’s particular skill was in breaking things down and joining dots. His analysis of colonial rule exposed its implicit assumptions – and how they were replicated in colonised populations – allowing Fanon to unpick the hidden reasons behind his own conflicted psychological make up, and those of his patients. Unflinchingly clear-sighted in doing so, Black Skin White Masks remains a shocking read today.

Dr Rachele Dini studied at Cambridge, King’s College London and University College London. Much of her current work focuses on the representation of production and consumption in modern and contemporary Anglo-American fiction. She teaches at Cambridge and for the Foundation for International Education, and her first monograph, Consumerism, Waste and Re-use in Twentieth-century Fiction: Legacies of the Avant-Garde, was published by Palgrave Macmillan in 2016.