Old-Spelling, Critical Edition of The History of the Two Maids of More-Clacke

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B01=Stephen Orgal
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Charles The Great
comic actor studies
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early modern drama
Elizabethan playwrights
English Renaissance theatre
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Excellent Maiestie
Full Length Lines
Hamlet Situation
Heywood's Fair Maid
Heywood's Play
Heywood’s Fair Maid
Heywood’s Play
Hys Power
Jonson's Catiline
Jonson’s Catiline
Language_English
literary parody analysis
Middleton's Michaelmas Term
Middleton’s Michaelmas Term
mimetic art
Morgan Library
Mother's Adultery
Mother’s Adultery
PA=Temporarily unavailable
parody of Hamlet tragedies
Petty Traitors
Price_€100 and above
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Rhymed Iambic Pentameter
ROBERT ARMIN
Scholar's Net
Scholar’s Net
Shakespearean criticism
Shakespearian England
softlaunch
Tempora Mutantur
The Two Maids of More-Clacke
Thomas Archer
Valiant Welshman
Verse
Verse Lines
Vice Versa
Welsh Knight
Young Man

Product details

  • ISBN 9781138393240
  • Weight: 860g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Jun 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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First published in 1979, this volume is an old-spelling, critical edition of a comedy by Robert Armin, written between 1598 and 1606, a period spanning his employment as a comic actor in Shakespeare’s company. Had all his writings been among the many of his period which disappeared, we should not be crucially deprived. Nonetheless, Alexander S. Liddie suggests that Armin’s life and work deserve a niche in our understanding of the literary, theatrical and social scene of Shakespearian England. Armin’s talent, though limited, was varied, and he was one of only a few playwrights of his era who combined the creative function with the mimetic art. While the style of The Two Maids of More-clacke is admittedly garbled and rarely lucid, its plot incredibly labyrinthian and its characterisations vague, these elements also serve as vehicles for an extended criticism-by-parody of Shakespeare’s major tragedies, particularly Hamlet. All those interested in Shakespeare must be curious to assess this popular entertainer’s response to the great dramatist.

Alexander S Liddie, Stephen Orgal

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