Anachronistic Turn

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A Knight's Tale
A Knight’s Tale
A01=Stephanie Russo
anachronism
anachronism theory
Author_Stephanie Russo
Bernardine Evaristo
Biblical novels
biofiction
Category=DSBH
Category=DSK
Catherine the Great
Chaucer
Christopher Moore
conspiracy theories
cultural memory studies
deliberate anachronism in media
eighteenth century
Emily Dickinson
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
French Revolution
Hamilton
Hermione Eyre
historical drama
Historical fiction
Historical musicals
historical television
Jewish history
Kate Hennig
Life of Brian
literary adaptation research
Live from Golgotha
Marcel Theroux
Marie Antoinette
Mary Queen of Scots
media historiography
Mother's Daughter
Mother’s Daughter
narrative temporality
neo-noir
period drama analysis
popular fiction
presentism
Protocols of the Elders of Zion
Queen Anne
Reign
Richard Beard
Six
The Emperor's Babe
The Emperor’s Babe
The Favorite
The Great
The Last Wife
The Secret Books
The Virgin Trial
transhistoricity
Tudor history
Viper Wine
women's historical fiction
women’s historical fiction

Product details

  • ISBN 9781032222523
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 06 May 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Anachronistic Turn: Historical Fiction, Drama, Film and Television is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present. Through an examination of literary, cinematic, and popular texts and practices, this book investigates how twenty-first-century historical fictions use creative anachronisms as a way of understanding modern issues and anxieties.

Drawing together a wide range of texts across all forms of historical fiction – novels, dramas, musicals, films and television – this book re-frames anachronism not as an error but as a deliberate strategy that emphasises the fictionalising tendencies of all forms of historical writing. The book achieves this by exploring three core themes: the developing trends in the twenty-first century for creators of historical fiction to include deliberate anachronisms, such as contemporary references, music and language; the ways in which the deliberate use of anachronism in historical fiction can allow us to rethink the relationship between past and present; and the way that contemporary historical fiction uses anachronism to better understand modern issues and anxieties.

This book will appeal to students and scholars of historical fiction, contemporary historical film and television studies, and historical theatre studies.

Stephanie Russo is Discipline Chair of Literature at Macquarie University, Australia. She has published widely on historical fiction and women’s writing. She is the author of The Afterlife of Anne Boleyn: Representations of Anne Boleyn in Fiction and on the Screen (2020).

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