Analysis of Ernst H. Kantorwicz's The King's Two Bodies

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A01=Simon Thomson
Abbot
Adolf Hitler
Author_Simon Thomson
baethgen
Berkeley
cassirer
Category=DSA
Category=JM
Category=JNZ
Category=JPA
Category=NH
Category=QD
Charlemagne
constitutional
Constitutional Semantics
Emperor
eq_bestseller
eq_biography-true-stories
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
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ernst
Ernst Cassirer
Ernst Kantorowicz
Follow
friedrich
Friedrich Baethgen
Grand Survey
Hitler
Impressed
institutional history
interdisciplinary analysis
kantorowicz
legal symbolism
Lifetime
Living
Main
medieval
medieval kingship concepts
Medieval Law
Medieval Political Theology
medieval political thought
Play Richard II
political
Political Theology
Red Scare
Royal
semantics
sovereignty theory
Strong
symbolic representation
theology
Viewpoint

Product details

  • ISBN 9781912127115
  • Weight: 200g
  • Dimensions: 129 x 198mm
  • Publication Date: 15 Jul 2017
  • Publisher: Macat International Limited
  • Publication City/Country: GB
  • Product Form: Paperback
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Few historians trace grand themes across many centuries and places, but Ernst Kantorowicz's great work on the symbolic powers of kingship is a fine example of what can happen when they do. The King's Two Bodies is at once a superb example of the critical thinking skill of evaluation – assessing huge quantities of evidence, both written and visual, and drawing sound comparative conclusions from it – and of creative thinking; the work connects art history, literature, legal records and historical documents together in innovative and revealing ways across more than 800 years of history. Kantorowicz's key conclusions (that history is at root about ideas, that these ideas power institutions, and that both are commonly expressed and understood through symbols) have had a profound impact on several different disciplines, and even underpin many works of popular fiction – not least The DaVinci Code. And they were all made possible by fresh evaluation of evidence that other historians had ignored, or could not see the significance of.

Dr Simon Thomson teaches at the Ruhr-Universität Bochum. He received his doctorate in Medieval Literature from University College London and is the Editor, with M.D.J. Brintley, of Sensory Perception in the Medieval World: Manuscripts, Texts and Other Material Matters.

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