Analysis of Frantz Fanon's Black Skin, White Masks

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A01=Rachele Dini
algerian
Author_Rachele Dini
Black Colonials
Black Skin
Category=DSA
Category=JHB
Category=JM
Category=JNZ
Category=JPA
Category=QD
colonial
Colonial Racism
colonial trauma
cultural assimilation effects
decolonisation studies
Dehumanizing Effects
Diaspora
Diaspora Studies
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fanon
Fanon's Arguments
Fanon's Black Skin
Fanon's Death
Fanon's Ideas
Fanon's Text
Fanon's Work
Fanon's Writing
fanons
Fanon’s Arguments
Fanon’s Black Skin
Fanon’s Death
Fanon’s Ideas
Fanon’s Text
Fanon’s Work
Fanon’s Writing
frantz
Frantz Fanon
Frantz Fanon's Black Skin
Frantz Fanon’s Black Skin
French Psychoanalyst Jacques Lacan
harlem
Harlem Renaissance
Held
Human Rights Studies
ideas
Independent
Interracial Relationships
Live
Philosopher Jean Paul Sartre
postcolonial psychology
Postwar
psychiatric colonialism
psychological impact of colonial rule
racial identity theory
racism
renaissance
White Masks
work

Product details

  • ISBN 9781912303731
  • Weight: 360g
  • Dimensions: 129 x 198mm
  • Publication Date: 25 Jul 2017
  • Publisher: Macat International Limited
  • Publication City/Country: GB
  • Product Form: Hardback
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Frantz Fanon’s explosive Black Skin, White Masks is a merciless exposé of the psychological damage done by colonial rule across the world. Using Fanon’s incisive analytical abilities to expose the consequences of colonialism on the psyches of colonized peoples, it is both a crucial text in post-colonial theory, and a lesson in the power of analytical skills to reveal the realities that hide beneath the surface of things.

Fanon was himself part of a colonized nation – Martinique – and grew up with the values and beliefs of French culture imposed upon him, while remaining relegated to an inferior status in society. Qualifying as a psychiatrist in France before working in Algeria (a French colony subject to brutal repression), his own experiences granted him a sharp insight into the psychological problems associated with colonial rule.

Like any good analytical thinker, Fanon’s particular skill was in breaking things down and joining dots. His analysis of colonial rule exposed its implicit assumptions – and how they were replicated in colonised populations – allowing Fanon to unpick the hidden reasons behind his own conflicted psychological make up, and those of his patients. Unflinchingly clear-sighted in doing so, Black Skin White Masks remains a shocking read today.

Dr Rachele Dini studied at Cambridge, King’s College London and University College London. Much of her current work focuses on the representation of production and consumption in modern and contemporary Anglo-American fiction. She teaches at Cambridge and for the Foundation for International Education, and her first monograph, Consumerism, Waste and Re-use in Twentieth-century Fiction: Legacies of the Avant-Garde, was published by Palgrave Macmillan in 2016.

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