Analysis of Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic

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A01=Rebecca Pohl
Anglo-American Feminist Theory
Author_Rebecca Pohl
Bertha Mason
Category=DSB
Category=JBSF1
Category=JBSF11
century
Chopin
criticism
Early Feminist Critique
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
female
female literary tradition
feminist
Feminist Awakening
Feminist Literary
feminist literary criticism
Feminist Literary History
Feminist Literary Scholars
Feminist Literary Studies
Feminist Literary Theory
feminist rereading nineteenth-century texts
gender and authorship
Gubar's Work
Gubar’s Work
history
imagination
literary
literary canon debate
Literary Paternity
National Book Critics Circle Award
nineteenth
Nineteenth Century Literary Imagination
Nineteenth Century Women Writers
nineteenth-century women authors
Personal Development
Shared Minority Status
Susan Gubar
Toril Moi
tradition
Twentieth Century Women's Writing
Twentieth Century Women’s Writing
Victorian literature analysis
Victorian Women Writers
Western Literary Tradition
Women's Literary Tradition
Women’s Literary Tradition
writer

Product details

  • ISBN 9781912453092
  • Weight: 180g
  • Dimensions: 129 x 198mm
  • Publication Date: 15 May 2018
  • Publisher: Macat International Limited
  • Publication City/Country: GB
  • Product Form: Paperback
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The 1979 publication of Susan Gubar and Sandra M. Gilbert’s ground-breaking study The Madwoman in the Attic marked a founding moment in feminist literary history as much as feminist literary theory. In their extensive study of nineteenth-century women’s writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontës, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic. Gubar and Gilbert raise questions about canonisation that continue to resonate today, and model the revolutionary importance of re-reading influential texts that may seem all too familiar

Rebecca Pohl is the co-editor of Rupert Thomson: Critical Essays (2016) and has published on contemporary women’s writing, gender, and feminist theory. Her work in progress includes a manuscript that examines the impact of gender on mid-century experimental writing by women in Britain. She also regularly speaks at public events on the topics of women’s writing and gender, and sexuality. Pohl is Honorary Research Fellow in English Literature at the University of Manchester, Associate Lecturer at Goldsmiths University London, and a contemporary literature supervisor at the University of Cambridge.

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