Analysis of Stephen Greenblatt's Renaissance Self-Fashioning

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A01=Liam Haydon
arguments
Author_Liam Haydon
Blake's Relationship
Blake’s Relationship
Category=DSA
Category=DSBF
cultural criticism
Deliberate Performances
early
Early Modern English Literature
Early Modern Literary Criticism
Early Modern Literary Studies
early modern literature
English Renaissance writers
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Faerie Queene
forces
Greenblatt's Analysis
Greenblatt's Arguments
Greenblatt's Work
greenblatts
Greenblatt’s Analysis
Greenblatt’s Arguments
Greenblatt’s Work
Hierarchical World View
identity construction
literary theory
literature
modern
new historicism
Pagan Antiquity
Power Structures Society
powerful
Powerful Social Forces
Psychoanalytical Elements
Renaissance Criticism
Renaissance Literary Criticism
Renaissance Literary Studies
Renaissance Self-Fashioning
selfhood in sixteenth century literature
Shakespeare's Biography
Shakespeare’s Biography
Sir Walter Raleigh
Sixteenth Century Drama
social
Spenser's Epic
spensers
Spenser’s Epic
Stephen Orgel
Timeless
work

Product details

  • ISBN 9781912453559
  • Weight: 340g
  • Dimensions: 129 x 198mm
  • Publication Date: 15 May 2018
  • Publisher: Macat International Limited
  • Publication City/Country: GB
  • Product Form: Hardback
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What is a self? Greenblatt argues that the 16th century saw the awakening of modern self-consciousness, the ability to fashion an identity out of the culture and politics of one’s society. In a series of brilliant readings, Greenblatt shows how identity is constructed in the work of Shakespeare, Marlowe, Spenser and other Renaissance writers. A classic piece of literary criticism, and the origins of the New Historicist school of thought, Renaissance Self-Fashioning remains a critical and challenging text for readers of Renaissance literature.

Liam Haydon was educated at Queen’s University Belfast and the University of Manchester, where he wrote a PhD on Milton’s Paradise Lost. He is currently a postdoctoral scholar at the Centre for the Political Economies of International Commerce at the University of Kent. His work focuses on the cultural history of the seventeenth century, exploring the connections between the corporation, economic ideology, and literature.

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