Analysis of Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction

Regular price €11.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Rachele Dini
Aestheticized Politics
arcades
Arcades Project
art and technology
Author_Rachele Dini
Benjamin Scholarship
Benjamin Studies
Benjamin's Analysis
Benjamin's Concepts
Benjamin's Concern
Benjamin's Death
Benjamin's Essay
Benjamin's Ideas
Benjamin's View
Benjamin's Work
benjamins
Benjamin’s Analysis
Benjamin’s Concepts
Benjamin’s Concern
Benjamin’s Death
Benjamin’s Essay
Benjamin’s Ideas
Benjamin’s View
Benjamin’s Work
Category=DSA
Category=JPA
Category=QD
critical theory
cultural studies
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
essay
Essay's Focus
Essay’s Focus
German Jewish Philosopher
Human Sense Perception
institute
Key Reference Point
Late Roman Art Industry
Marxist analysis of art reproduction
Mechanical Reproduction
media theory
political aesthetics
project
reproducibility
research
scholarship
social
technological
Technological Reproducibility
Technological Reproduction
Thesis Eleven
Traditional Art Criticism
Traditional Art Forms
UK Counterpart
visual culture

Product details

  • ISBN 9781912284757
  • Weight: 130g
  • Dimensions: 129 x 198mm
  • Publication Date: 21 Feb 2018
  • Publisher: Macat International Limited
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

The Work of Art in the Age of Mechanical Reproduction combats traditional art criticism’s treatment of artworks as fixed, unchanging mystical objects. For Walter Benjamin, the consequences of addressing a work of art in this manner have a wider resonance: closed off from any active visual or tactile engagement, the work of art becomes an object of passive contemplation and a potential tool of oppression.

Benjamin argues that technology has fundamentally altered the way art is experienced. Potentially open to interpretation and accessible to many, art in the age of mechanical reproduction has the potential to be mobilized for radical purposes. While ostensibly addressing the artistic consequences of technical reproducibility on art, Benjamin also addresses the wider political consequences of this shift.

Dr Rachele Dini studied at Cambridge, King’s College London and University College London. Much of her current work focuses on the representation of production and consumption in modern and contemporary Anglo-American fiction.

More from this author