Anatomy of Insults in Shakespeare’s World

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A01=Nathalie Vienne-Guerrin
and A Midsummer Night's Dream
and A Midsummer Night’s Dream
As You Like It
Author_Nathalie Vienne-Guerrin
Category=DSBD
Category=NHDL
Category=NHTB
cultural history
early modern world
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
insult and duelling codes
literary criticism
Love's Labour's Lost
Love’s Labour’s Lost
Measure for Measure.
Much Ado about Nothing
Othello
Romeo and Juliet
Twelfth Night

Product details

  • ISBN 9781350328617
  • Weight: 360g
  • Dimensions: 126 x 198mm
  • Publication Date: 28 Dec 2023
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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The Anatomy of Insults in Shakespeare’s World explores Shakespeare’s complex art of insults and shows how the playwright set abusive words at the heart of many of his plays. It provides valuable insights on a key aspect of Shakespeare’s work that has been little explored to date. Focusing on the most memorable scenes of insult, abusive characters and insulting effects in the plays, the volume shifts how readers understand and read Shakespeare’s insults.

Chapters analyze the spectacular rhetoric of insult in Henry IV, Troilus and Cressida and Timon of Athens; the ‘skirmishes of wit’ in Much Ado about Nothing and A Midsummer Night’s Dream; insult and duelling codes in Romeo and Juliet, As You Like It and Twelfth Night, the complex relationships between slander and insult in Much Ado about Nothing and Measure for Measure; the taming of the tongue in Richard III and The Taming of the Shrew, the trauma of insults in Othello, The Merchant of Venice and Cymbeline and insult beyond words in Henry V and King lear.

Grasping insult as a specific speech act, the volume explores the issues of verbal violence and verbal shields and the importance of reception and interpretation in matters of insult. It offers a panorama of the Elizabethan politics of insult and redefines Shakespeare’s drama as a theatre of insults.

Nathalie Vienne-Guerrin is Professor in the English department of the Université Paul-Valéry Montpellier 3 and a member of the IRCL, Institute for Research on the Renaissance, the Neo-Classical Age and the Enlightenment (UMR 5186 CNRS), France.

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