Ancestors and Relatives

Genealogy has long been one of humanity's greatest obsessions. But with the rise of genetics, and increasing media attention through television programs like Who Do You Think You Are? and Faces of America, we are now told that genetic markers can definitively tell us where we came from. The problem, writes Eviatar Zerubavel, is that biology does not provide us with the full picture. After all, he asks, why do we consider Barack Obama black even though his mother was white? Why did the Nazis believe that unions of Germans and Jews would produce Jews rather than Germans? Are sixth cousins still family? In this provocative book, he offers a r s3h understanding of relatedness, showing that its social logic sometimes overrides the biological reality it supposedly reflects. In fact, rather than just biological facts, social traditions of remembering and classifying shape the way we trace our ancestors, identify our relatives, and delineate families, ethnic groups, nations, and species. Furthermore, genealogies are more than mere records of history. Drawing on a wide range of evidence, Zerubavel introduces such concepts as braiding, clipping, pasting, lumping, splitting, stretching, and pruning to shed light on how we manipulate genealogies to accommodate personal and collective agendas of inclusion and exclusion. Rather than simply find out who our ancestors were and identify our relatives, we actually construct the genealogical narratives that make them our ancestors and relatives. An eye-opening re-examination our very notion of relatedness, Ancestors and Relatives offers a new way of understanding family, ethnicity, nationhood, race, and humanity.

Eviatar Zerubavel is Board of Governors Professor of Sociology at Rutgers University. He is the author of The Elephant in the Room: Silence and Denial in Everyday Life, The Fine Line: Making Distinctions in Everyday Life, The Seven-Day Circle: The History and Meaning of the Week, Social Mindscapes: An Invitation to Cognitive Sociology, and Time Maps: Collective Memory and the Social Shape of the Past.