Ancient Egyptian Statues

Regular price €49.99
A01=Simon Connor
Age Group_Uncategorized
Age Group_Uncategorized
Ancient
Ancient Egypt
Andrew W. Mellon Research Fellow
Antiquities
Archaeology
Art
Author_Simon Connor
automatic-update
belief
Category1=Non-Fiction
Category=ACG
Category=AFK
Category=AGA
Category=HD
Category=HDDG
Category=NHC
Category=NHG
Category=NK
Classical
COP=United States
Dahshur
Delivery_Delivery within 10-20 working days
Destroying to Annihilate
Dismantling
Egypt
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Etre et paraitre
Heliopolis
History
Iconoclasm
Intentionally Mutilated or Accidentally Damaged
Language_English
Le statue del Museo Egizio
Luxor
Magic
Metropolitan Museum of Art
Middle Eastern
Museo Egizio
North Africa
PA=Available
Price_€20 to €50
PS=Active
Restoring
Reuse
Ritual
scholarship
Sculpture
Simon Connor
Social Science
softlaunch
Tanis
Transforming
Turin

Product details

  • ISBN 9781617971341
  • Dimensions: 191 x 241mm
  • Publication Date: 27 Sep 2022
  • Publisher: American University in Cairo Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

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A fascinating, richly illustrated study of the role and significance of ancient statues in Egyptian history and belief

Why do ancient Egyptian statues so often have their noses, hands, or genitals broken? Although the Late Antiquity period appears to have been one of the major moments of large-scale vandalism against pagan monuments, various contexts bear witness to several phases of reuse, modification, or mutilation of statues throughout and after the pharaonic period. Reasons for this range from a desire to erase the memory of specific rulers or individuals for ideological reasons to personal vengeance, war, tomb plundering, and the avoidance of a curse; or simply the reuse of material for construction or the need to ritually “deactivate” and bury old statues, without the added motive of explicit hostility toward the subject in question.

Drawing on the latest scholarship and over 100 carefully selected illustrations, Ancient Egyptian Statues proceeds from a general discussion of the production and meaning of sculptures, and the mechanisms of their destruction, to review the role of ancient statuary in Egyptian history and belief. It then moves on to explore the various means of damage and their significance, and the role of restoration and reuse.

Art historian Simon Connor offers an innovative and lucidly written reflection on beliefs and practices relating to statuary, and images more broadly, in ancient Egypt, showing how statues were regarded as the active manifestations of the entities they represented, and the ways in which they could endure many lives before being finally buried or forgotten.

Simon Connor was awarded his PhD in art history and archaeology by the Université libre de Bruxelles, Belgium, in 2014. He has worked on various archaeological sites in Egypt, including Luxor, Dahshur, Tanis, and Heliopolis. He was a curator at the Museo Egizio, Turin (2014-2017), an Andrew W. Mellon Research Fellow at the Metropolitan Museum of Art (2017–2018), and an FNRS Research Fellow at the University of Liège (2018–2021). He is the author of various articles and books, including Le statue del Museo Egizio (2016) and Être et paraître (2020).