Andy Blankenbuehler

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A01=Amanda Jane Olmstead
Andy Blankenbuehler
Author_Amanda Jane Olmstead
Bandstand musical
Bring it On
Broadway
Broadway dance
Category=ATD
Category=ATQC
Choreography
dance
dancing
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
Hamilton
In the Heights
jazz dance
musical theatre
musical theatre scholarship
tap dance

Product details

  • ISBN 9781350524354
  • Dimensions: 138 x 216mm
  • Publication Date: 06 Aug 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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"There are very few times when I really want the audience to look at dance…Dance is just meant to be a framing device that matches emotionally what I want the audience to feel." - Andy Blankenbuehler

Three-time Tony Award-winner Andy Blankenbuehler is one of the most recognizable choreographers working on Broadway today. Known particularly for his work on the hit musical Hamilton, collaborating once again with Lin-Manuel Miranda following their work on In The Heights, his distinct style and method of working is unique and distinguishable. This first critical study of both his style and extraordinary body of work explores everything from his background and training through to his rehearsal process and collaborative style. Told chronologically through his major shows, alongside interludes and reflections, this critical companion includes analysis alongside interviews with collaborators and Blankenbuehler himself.

As well as guiding readers through specific shows, this book unpacks and explores Blankenbuehler’s philosophies with regards to storytelling through the body. It argues how his prioritization of the ensemble as crucial to understanding the action within a show consequently positions the ensemble body as an indispensable element through which the audience gains vital (sub)text. As a result of this decision his choreography has become distinctly different from his predecessors and peers.

Published in Methuen Drama's Musical Theatre Critical Companions series this offers an accessible yet thorough study of a contemporary practitioner that is perfect for students, dancers and musical theatre fans alike.

Amanda Jane Olmstead (she/her) is a faculty member in the Theatre Arts Department at the University of Pittsburgh and in the School of Drama at Carnegie Mellon University in Pittsburgh, USA. She received her PhD in Theatre and Performance Studies from the University of Pittsburgh, her MA in Performance Studies from New York University, and her BA in Theatre with a minor in Dance from the Indiana University of Pennsylvania. Olmstead is also a choreographer for local Pittsburgh schools and the Pitt Stages Theatre Arts Department. Her publications include an article titled “Développé: Katherine Dunham’s Diasporic Dance” in the Studies in Musical Theatre Journal and a chapter titled “Dance as Narrative: Storytelling Through the Ensemble Body” for the collection titled Dance in Musical Theatre: A History of the Body in Movement.

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