Angela Carter and Surrealism

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A01=Anna Watz
Aidan Day
archival research methods
Author_Anna Watz
avant-garde aesthetics
bellmer
Big Cat
British women writers
Carter's Engagement
Carter's Fiction
Carter's Journal
Carter's Translation
Carter's Writing
Carter’s Fiction
Category=ABA
Category=DS
Category=DSBH
Category=JBSF1
Category=JBSF11
Charcot
Convulsive Beauty
dance
desire
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ernst's Painting
Fairy Tales
feminist literary criticism
Free Woman
Gala Eluard
gender representation theory
hans
Hans Bellmer
infernal
Infernal Desire Machines
Jean Martin Charcot
machines
Moral Pornographer
Paul Delvaux
Primordial Androgyne
psychoanalytic approaches literature
sadeian
Sadeian Woman
shadow
Shadow Dance
surrealist
Surrealist Art
Surrealist Iconography
surrealist influence on feminist writing
Wayward Girls
woman
Young Man

Product details

  • ISBN 9781472415752
  • Weight: 940g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In 1972, Angela Carter translated Xavière Gauthier’s ground-breaking feminist critique of the surrealist movement, Surréalisme et sexualité (1971). Although the translation was never published, the project at once confirmed and consolidated Carter’s previous interest in surrealism, representation, gender and desire and aided her formulation of a new surrealist-feminist aesthetic. Carter’s sustained engagement with surrealist aesthetics and politics as well as surrealist scholarship aptly demonstrates what is at stake for feminism at the intersection of avant-garde aesthetics and the representation of women and female desire. Drawing on previously unexplored archival material, such as typescripts, journals, and letters, Anna Watz’s study is the first to trace the full extent to which Carter’s writing was influenced by the surrealist movement and its critical heritage. Watz’s book is an important contribution to scholarship on Angela Carter as well as to contemporary feminist debates on surrealism, and will appeal to scholars across the fields of contemporary British fiction, feminism, and literary and visual surrealism.

Anna Watz is Senior Lecturer in English, Linköping University, Sweden.

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