Animality in British Romanticism

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A01=Peter Heymans
Aesthetics
animal rights poetry analysis
Animal Studies
Animality
Author_Peter Heymans
British
Burke's Aesthetic
Burkean Sublime
Category=DSBF
Category=JBFU
Category=QDTN
Category=QDTQ
Coleridge's Ballad
Common Aesthetic Sense
De Lacey Family
Dull Yellow Eye
ecocriticism
Egotistical Sublime
environmental ethics
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
evolutionary aesthetics
Human Animal Dualism
Kant's Aesthetic Theories
Literature
Loco Motion
Naked Mole Rat
Natural Beauty
natural theology
Non-human Animals
Nonhuman Animal
Paley's Natural Theology
Research
Romantic Nature Poetry
Romantic period science
Romantic Period Writers
Romantic Sublime
Romanticism
Scientific Sublime
Species
sublime and beautiful
Uncanny Valley
Uninvolved Spectatorship
Vice Versa
Wordsworth's Criticism
Young Man

Product details

  • ISBN 9781138118362
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The scientific, political, and industrial revolutions of the Romantic period transformed the status of humans and redefined the concept of species. This book examines literary representations of human and non-human animality in British Romanticism. The book’s novel approach focuses on the role of aesthetic taste in the Romantic understanding of the animal. Concentrating on the discourses of the sublime, the beautiful, and the ugly, Heymans argues that the Romantics’ aesthetic views of animality influenced—and were influenced by—their moral, scientific, political, and theological judgment. The study reveals how feelings of environmental alienation and disgust played a positive moral role in animal rights poetry, why ugliness presented such a major problem for Romantic-period scientists and theologians, and how, in political writings, the violent yet awe-inspiring power of exotic species came to symbolize the beauty and terror of the French Revolution.

Linking the works of Wordsworth, Blake, Coleridge, Byron, the Shelleys, Erasmus Darwin, and William Paley to the theories of Immanuel Kant and Edmund Burke, this book brings an original perspective to the fields of ecocriticism, animal studies, and literature and science studies.

Peter Heymans is a Research Affiliate at the Vrije Universiteit Brussel, Belgium.

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