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A01=Aaron Moe
A01=Brian Yothers
A01=Calista McRae
A01=Daniel Cross Turner
A01=Heather Cass White
A01=Margarida Vale de Gato
A01=Mary McAleer Balkun
A01=Philip Edward Phillips
A01=Susan L. Roberson
A01=Thomas C. Gannon
A01=William I. Lutterschmidt
Amercian bird species
American Classics
American poetry for literature scholars
American Poets
animal imagery in literature
Animal poetry
animal studies in literature
animal symbolism in poetry
Animalia
animals in American verse
Anne Bradstreet
Anne Bradstreet poetry and animals
Author_Aaron Moe
Author_Brian Yothers
Author_Calista McRae
Author_Daniel Cross Turner
Author_Heather Cass White
Author_Margarida Vale de Gato
Author_Mary McAleer Balkun
Author_Philip Edward Phillips
Author_Susan L. Roberson
Author_Thomas C. Gannon
Author_William I. Lutterschmidt
birding
books for interdisciplinary studies
Category=DSC
Category=PSV
Category=WN
contributors
Edgar Allan Poe
Elizabeth Bishop
Emily Dickinson
Emily Dickinson nature poems
environment
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eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
essays
flora and fauna
great verse
Herman Melville
Herman Melville animal metaphors
Indigenous studies
Integrative Natural History series
interdisciplinary
John Cullen Gruesser
Joy Harjo
landscape
life science
Marianne Moore
Marianne Moore animal verse
Melville's poetry
Moby Dick
natural history
natural history in American poetry
nature writing for general readers
poetry
poetry about natural history
poetry and science crossover books
poetry by Emily Dickinson
poetry inspired by nature
Robert Frost spider and moth
scenery
slime mould
The Raven
Walt Whitman
Walt Whitman and natural history
wilderness
wildlife
women poets
Yusef Komunyakaa
Yusef Komunyakaa poetry and nature

Product details

  • ISBN 9781648433030
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2025
  • Publisher: Texas A & M University Press
  • Publication City/Country: US
  • Product Form: Paperback
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In this companion volume to Animals in theAmerican Classics: How Natural History Inspired Great Fiction, John Cullen Gruesser brings together leading experts who explore the integral role animals play in American poetry. The ten essays in Animals in Classic American Poetry: How Natural History Inspired Great Verse showcase how the natural history of and imagery relating to animals have inspired some of America’s best-known and most beloved poets.

The book highlights exceptional literary verse from the first American to publish a book of poems, Puritan Anne Bradstreet in the seventeenth century, to the African American writer Yusef Komunyakaa and the Native American Joy Harjo, a recent US poet laureate, in the twenty-first century. Essays on the well-known figures Edgar Allan Poe, Walt Whitman, Herman Melville, Emily Dickinson, Robert Frost, Marianne Moore, and Elizabeth Bishop round out this pathbreaking collection.

Animals in Classic AmericanPoetry provides a glimpse into the brilliant, burrowing, and passionate minds of some of America’s most revered poets. Whether it is Poe’s haunting, hybrid description of a raven, Emily Dickinson’s nostalgic yet chilling observations about a garter snake, or Robert Frost’s unsettled and unsettling ruminations about a spider consuming a moth, each poet reflects on what it means to be a nonhuman and a human animal. 

Not just for students, professors, and scholars of literature, this unique project will appeal to scientists and general readers because of the truly interdisciplinary way in which it examines our biodiverse natural world through the lens of unforgettable American poetry.

John Cullen Gruesser is research scholar, Natural History Collections, at Sam Houston State University and emeritus professor of English at Kean University. The author of Edgar Allan Poe and His Nineteenth-Century American Counterparts and A Literary Life of Sutton E. Griggs: The Man on the Firing Line, he is the coeditor of a classroom edition of Pauline E. Hopkins’s novel Hagar’s Daughter and African American Writers Respond to Poe, a special issue of the journal Poe Studies: History, Theory, Interpretation.