Animation in Croatia

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A01=Midhat Ajanovi
A01=Midhat Ajanovic
Age Group_Uncategorized
Age Group_Uncategorized
animated film case studies
animation
animation history
animation studies
animation theory
Author_Midhat Ajanovi
Author_Midhat Ajanovic
automatic-update
Category1=Non-Fiction
Category=JBCT
Category=JFD
Category=UGN
comics adaptation
COP=United Kingdom
Croatian animation
cultural heritage studies
Delivery_Pre-order
eq_bestseller
eq_computing
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
European animation
film aesthetics
Language_English
modernist animation
PA=Not yet available
post-socialist media
Price_€50 to €100
PS=Forthcoming
softlaunch
visual storytelling

Product details

  • ISBN 9781032451473
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Dec 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book provides a comprehensive account of Croatian animation history, as well as an analysis of background factors such as political and social circumstances and cultural heritage that influenced the great international success of Croatian animators between the 1960s and 1980s.

The book focuses on the history of the Zagreb School of Animated Film, which produced dozens of extremely significant animated films between the 1960s and 1980s, which constituted an important epoch in the development of film animation as an artistic form. It provides a case study of three important films: Dnevnik by Nedeljko Dragic, Don Kihot by Vladimir Kristl and Koncert za masinsku pusku by Dusan Vukotic. The book also covers modern Croatian animation developed after the independence of the country.

This book will be of great interest to academics, students and professionals working and researching in the field of animation.

Midhat Ajanović is a writer and film scholar born in Sarajevo (Bosnia) in 1959. He studied journalism in Sarajevo and practiced film animation at the Zagreb Film Studio of Animation (Croatia). Since 1994 he has lived in Gothenburg where he obtained a degree of Doctor of Philosophy in Film Studies. He teaches storytelling, history and aesthetics of cinema animation at University West in Trollhättan and writes regularly about film and animation.

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