Ankle-Deep in Pacific Water

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A01=E. Hughes
Abolition
African American History
Age Group_Uncategorized
Age Group_Uncategorized
American politics
American West
Author_E. Hughes
automatic-update
Black
Category1=Non-Fiction
Category=DC
Category=JFSL3
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Great Migration
Historical Poetry
Language_English
LGBTQIA
Mammy Pleasant
Mary Ellen Pleasant
Migration
Nonbinary Poetics
Nonbinary Poetry
PA=Available
Poems
Poetry
Price_€10 to €20
PS=Active
Queer
softlaunch

Product details

  • ISBN 9798888902608
  • Dimensions: 152 x 228mm
  • Publication Date: 15 Oct 2024
  • Publisher: Haymarket Books
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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A debut collection of lyric poems interrogating the generational implications of the Great Migration to Northern California. 
Ankle-Deep in Pacific Water, a debut collection by E. Hughes, marries personal narrative with historical excavation to articulate the intricacies of Black familial love, life, and pain. Tracing the experiences of a southern Black family, their migration to the San Francisco Bay area, and the persistent anti-Blackness there (despite the state’s insistence that it is/was not involved in the US’ projects of imperialism or chattel slavery), Hughes illuminates the intersections of history, grief, and violence.
At the book’s heart is “The Accounts of Mammy Pleasant,” a persona poem written from the perspective of the formerly enslaved abolitionist and financier Mary Ellen Pleasant who is thought to have helped fund John Brown’s raid on Harpers Ferry. Alongside this historical account, Hughes deftly weaves in the story of a contemporary Black family navigating the generational trauma resulting from the Great Migration: domestic violence and racialized violence, familial love and loyalty, the work of parenting, and the work of being a child. Ankle-Deep in Pacific Water reveals in its pages that, while many things have changed over time, ultimately the question of what “freedom” meant and looked like for Black people in the early 20th century retains the same murkiness and contradictions for Black people today. 

E. Hughes’ poems have been published or are forthcoming in The Rumpus, Guernica, Poet Lore, Indiana Review, and Gulf Coast Magazine—among others. They are a Cave Canem fellow and have been a finalist for the 2021 Elinor Benedict Poetry Prize, longlisted for the 2021 Granum Fellowship Prize, and a semifinalist of the 2022 and 2023 92Y Discovery Contest. In 2021, they received their MFA+MA from the Litowitz Creative Writing Program at Northwestern University. Currently, Hughes is a PhD student in Philosophy at Emory University studying black aesthetics, psychoanalysis, and poststructuralism.

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