Annaberg, Marienberg, Potosí

Technical innovation and hegemonic politics accelerated the growth process in silver mining regions during the ^th century. This resulted in the founding of new, planned towns. In a comparative approach, the construction and expansion of the mining towns of Annaberg and Marienberg in the Erzgebirge and Potosí in the Viceroyalty of Peru are analyzed with reference to the architectural implications of regulatory policy measures. Particular attention is paid to the genesis and composition of the dynamically overlapping areas of state, religion, municipality and mining. Their appearance and structure are understood against the background of transcultural processes in architectural theory and practice, and the mining town is viewed as a setting for the negotiation of a hybrid architectural culture

Marco Silvestri, Studium der Kunstgeschichte und Philosophie, Universität Stuttgart. Seit 2 3 als wissenschaftlicher Mitarbeiter am Lehrstuhl für Materielles und Immaterielles Kulturerbe der Universität Paderborn tätig dort u.a. Koordination des Forschungsprojekts " Wesersandstein als globales Kulturgut" . 2 8- 9 Promotionsstipendiat der Gerda Henkel-Stiftung. Er lehrt, forscht und publiziert zu Stadtbaugeschichte und -theorie, globale Architekturgeschichte, Denkmalpflege, und Kunst im öffentlichen Raum.

Marco Silvestri studied art history and philosophy at the University of Stuttgart. Since 2 3, he has been a research assistant at the Chair of Material and Intangible Cultural Heritage at the University of Paderborn, where he coordinates the research project " Weser Sandstone as a Global Cultural Asset" . 2 8- 9, holder of a doctoral scholarship from the Gerda Henkel Foundation. He teaches, researches, and publishes on urban planning history and theory, global architectural history, the preservation of monuments, and art in public space.