Another Song for Europe

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A01=Ivan Raykoff
American music
Ashgate Popular and Folk Music series
Author_Ivan Raykoff
Belly Dance
Bloody Tears
Blue Suede Shoes
Category=AVLP
Contest Entries
cosmopolitan values
Cover Version
cultural difference
cultural identity politics
Das Scores
Double Reed Wind Instrument
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnomusicology
European music
European popular music
Europop
Eurovision
Eurovision Entries
Eurovision fans
Eurovision Network
Eurovision song contest
Final Chorus
Half Step Modulation
identity
Ivan Raykoff
LT United
musical aesthetics analysis
musical tastes
Musicking experiences
national genres
Norwegian Broadcasting Corporation
pan-European integration
Participatory Musicking
Play Backing
Pop Stars
Popular Culture
popular culture studies
popular Music
popular music taste formation
Sertab Erener
Tomaso Albinoni
transnational media events
Tu Te
Wa Ter Loo
Waterloo
West Germany
Winning Song
Wolfgang Amadeus Mozart

Product details

  • ISBN 9780367626457
  • Weight: 560g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 May 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1,500 songs in over 50 languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history.

Listening closely to its classic fan favorites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal. Chapters discuss the iconic fanfare that introduces the broadcast, the supposed formulas for composing successful contest entries, how composers balance aspects of sameness and difference in their songs, and the tension between national genres of European popular music and musical trends beyond the nation’s borders, especially the American influences on a show that is supposed to celebrate an idealized pan-European identity. The book also explores how audiences interact with the contest through musicking experiences that bring people together to celebrate its sounds and spectacles. What can seem like a silly song-and-dance show offers valuable insights into the bonds between popular music and cosmopolitan values for its many followers around the world.

From dance parties to flashmobs, parodies to plagiarisms, and orchestras to artificial intelligence, Another Song for Europe will be of particular interest to Eurovision fans, critics, and scholars of popular music, popular culture, ethnomusicology, and European studies.

Ivan Raykoff is Associate Professor of Music at The New School in New York where he teaches courses in music and interdisciplinary arts.

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