Antebellum American Pendant Paintings

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A01=Wendy N. E. Ikemoto
Allegorical Journey
American art
American art history
American artists
Antebellum Decades
antebellum period
Appomattox Court House
art history
Author_Wendy N. E. Ikemoto
Camera Lucida
Category=AGA
Category=WFA
Christ Child
civil war
Cole's Pendant
Cole’s Pendant
Contemporary History Painting
cultural symbolism in art
diptych analysis
eq_art-fashion-photography
eq_bestseller
eq_crafts-hobbies
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Feature Pendant
historical context of companion artworks
Irving's Story
Irving’s Story
John Quidor
landscape representation
Larger Topography
Leonardo's Vitruvian Man
Leonardo’s Vitruvian Man
Money Diggers
Moon Light
National Academy
nineteenth century
nineteenth-century painting
Northern White Women
Pacific Rim
Pendant Format
Pendant Paintings
Pendant Pictures
Pendant Portraits
Postbellum Period
Rembrandt
Rembrandt Harmensz Van Rijn
Thomas Cole
Titian Ramsay Peale
United States
Van Rensselaer
visual culture studies
Wendy N. E. Ikemoto
William Sidney Mount
Winthrop Sargent

Product details

  • ISBN 9781032179087
  • Weight: 400g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Antebellum American Pendant Paintings: New Ways of Looking marks the first sustained study of pendant paintings: discrete images designed as a pair. It opens with a broad overview that anchors the form in the medieval diptych, religious history, and aesthetic theory and explores its cultural and historical resonance in the 19th-century United States. Three case studies examine how antebellum American artists used the pendant format in ways revelatory of their historical moment and the aesthetic and cultural developments in which they partook. The case studies on John Quidor’s Rip Van Winkle and His Companions at the Inn Door of Nicholas Vedder (1839) and The Return of Rip Van Winkle (1849) and Thomas Cole’s Departure and Return (1837) shed new light on canonical antebellum American artists and their practices. The chapter on Titian Ramsay Peale’s Kilauea by Day and Kilauea by Night (1842) presents new material that pushes the geographical boundaries of American art studies toward the Pacific Rim. The book contributes to American art history the study of a characteristic but as yet overlooked format and models for the discipline a new and productive framework of analysis focused on the fundamental yet complex way images work back and forth with one another.

Wendy N. E. Ikemoto earned her Ph.D. in the History of Art and Architecture from Harvard University. She taught at Harvard and The Courtauld Institute of Art in London and served as Visiting Assistant Professor of American Art at Vassar College. She has published in American Art and The Burlington Magazine.

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